369. Same Time, Next Year (1978)

*The Warlock is going through his massive dvd library*

W: No….No…..nope.

*Neyzor Blades is sitting in the recliner with her arms folded*

N: What are you looking for?

W: Something good.

N: That’ll be a miracle.

W: Ah, found it. Alan Alda is in it.

N: No way, Hawkeye?

W: Yeah, its called Same Time, Next Year. It was based off a play and its about a married man meeting a married woman once a year to hook up.

N: Wait, so they cheat on their spouses once a year?

W: If I’m reading this right, yes. It was one of my grandmother’s favorite movies.

N: I don’t like the cheating part.

W: Well try to look past it because its time for SAME TIME, NEXT YEAR.

 

Written by Bernard Spade

Directed by Robert Mulligan

 

Cast:

Doris (Ellen Burstyn)

George (Alan Alda)

Chalmers (Ivan Bonar)

Waiter (Bernie Kuby)

Second Waiter (Cosmo Sardo)

Pilots (David Northcutt and William Cantrell)

 

*Warlock reads the tag-line*

W: “A man and woman meet by chance at a romantic inn over dinner. Although both are married to others, they find themselves in the same bed the next morning questioning how this could have happened. They agree to meet on the same weekend each year.”

N: That doesn’t make any sense.

W: Yes it does, two married people hook up once a year.

 

*Opening piano theme over the credits*

W: Credits shouldn’t last long, there’s only 7 people in the movie.

 

*Sea Shadows Inn is the place*

N: I don’t know how I feel about Alan Alda being a cheater.

 

*Doris enters the inn. Right behind her is George*

N: What did they do to his hair?

 

*Doris and George are in the restaurant eating on opposite sides of the room*

N: Don’t touch Alan Alda!

 

*George and Doris check each other out to a sappy love song*

N: Can we turn this song off?

W: I agree.

 

*George offers coffee to Doris and he sits with her*

W: I think the setting is the 60’s.

 

*George and Doris talk at the fireplace*

N: *sings* Neither one gave a shittttt about their significant otherssssss. If I saw you with another woman you’d be in that fire pit.

 

*George plays with Doris’ cheek as the setting is 1951*

N: Don’t wake Alan Alda. Don’t even sniff him.

W: I was off by 15 years.

N: He doesn’t even look like himself.

 

*George wakes up and grimaces*

W: He came too hard.

N: Look at his briefs.

W: Better than tighty whities.

 

*George figures out she’s awake and she asks what time it is. His watch is 3 hours and 25 minutes slow. She says its 11:50 but he says its 8:25. Doris says she’s got chubby thighs*

W: Yum.

 

*George calls her Dorothy and she corrects that her name is Doris. He says he’s been calling her that all night and she knows and tried to tell him otherwise but he didn’t listen. He says the night was incredible*

W: He called her the wrong name all night hahahahaha.

 

*Apparently they went at it 3 times*

W: Wow.

 

*George says his wife is gonna kill him and Doris asks how she already knows. He says “she just knows”*

W: Women know.

N: Yes we do.

 

*Doris says she was pregnant when she got married to her husband. George says he’s in love with her*

N: Ha, that sucks.

 

*Doris admits she didn’t finish high school. George says he doesn’t care even though he’s a snob about education. He says the first time he had sex when he was 18 in the back of  a 1938 Dodge Sedan*

W: Hahahaha yes.

 

*George says “If I Knew You Were Coming I Would Have Baked a Cake” is their song*

N: Hahahaha bake a cake.

 

*Doris goes to take a bath and throws him out of the bathroom*

W: Yeah, get lost!

 

*Doris walks out of the shower all dressed but doesn’t see him. George says they’re in big trouble because he really did fall in love with her. George feels guilty and says Catholics have rules against this sort of thing. Doris says with Catholics you always know where you stand*

W: Mmmhmmm.

 

*George is a CPA and is freaking out but she’s calm about it all*

N: Why is she so nonchalant?

 

*George has kids with his wife and is horrified that he’s done this. He says the worst thing about this is he has a fantastic hard-on. Doris “I wish you hadn’t said that.”

N and W: Hahahahaha

 

*George asks if she uses actual names in confession*

W: HA!

 

*Doris gets a knock on the door and George says “Oh my god, oh my goddddd*

W: Why? Hahahha he’s from New Jersey.

 

*George’s last name is Peters and he bullshits Mr. Chalmers with a girdle in his pocket while she runs out the back. She comes around and asks who that was and George says it was just Chalmers. She points out the girdle in his pocket and he goes “Oh great, now he probably thinks I’m a homo!”

W and N: Hahahahahahhaa!

 

*George explains he comes here every year as a favor to his first client that he does the books for. George says he doesn’t do this with any other girls. Doris wants his breakfast and he allows her. Doris says she could tell he’s never cheated before because he was such a klutz getting his clothes off*

W: Hahahaha.

 

*George says he has 3 kids, not 2. He thought it would make it seem he’s less married*

N: Look at that view.

W: Yeah its actually pretty cool.

 

*Doris says she should be going. She’s there on a religious retreat as Harry her husband takes the kids to see their grandmother. She doesn’t like Doris because she got pregnant. George “Well her son had to do with that too.”

W: Yeah really.

 

*Harry, her husband, had to drop out of dental school when she got pregnant and sell water to make ends meet, the mother in law never forgave her. They live in a duplex in Oakland*

W: Hey wait, this is 1951, shouldn’t George be in Korea?

N: He served his time. This is scary because this reminds me of Lady T.

 

*George’s wife is named Phyllis and he’s sure she knows about his affair. Doris asks if she has a plate in her head*

N: Hahahaha.

 

*George says he could be a million miles away but if he looks at another woman she has a bell in her head that goes “ding ding ding ding”

N: Ha, look at his face.

W: THAT’S Hawkeye.

 

*She asks how he knew the time and he said his watch said 4:47 so it really was 1:22. George says he was once very insecure but his wife made him a better person. Doris says everyone considers Harry the salt of the earth. She says on their fourth anniversary Harry had 3 beers and told some of the guys that his time in the army was the best years of his life. She says he spent 3 years in a Japanese prison camp*

W: Oh I see.

 

*Doris says her husband is a big burly guy. George “I really wish you hadn’t told me that.”

N: Hahahaa

 

*Doris says Harry selflessly helped their son Tony fly a kite. Harry says her wife is really named Helen and he didn’t want her to look them up. Harry says its crazy and she says they’re both crazy. They both hold hands*

N: Oh no they’re flirting.

 

*Doris wants to exchange pictures of their kids. They both find the others kids adorable. George’s son Michael was dressed as Peter Pan. Her son Paul was in the process of throwing up when his picture was taken. Debbie is George’s youngest*

N: Why won’t they show the pictures?

W: There’s no need. By the way this is based off a play, that’s why there are no other characters.

 

*Doris and George kiss*

N: She touched Alan Alda.

 

*They got do it again*

N: She’s like I just bathed.

 

*Montage of time going by*

W: Yeah this is a montage of the 1950’s.

 

*Scene shifts to 1956 for their 5th anniversary. Doris comes out in a nice dress and George plays If I Knew You Were Coming I’d Have Baked a Cake on the piano and sings*

W: Hahahahaha

N: I don’t know how I feel about this movie.

 

*Doris now has blonde hair and George loves it.*

N: I really like that dress.

 

*Doris has joined the Book of the Month Club. George is proud of her*

W: Oh yeah, she didn’t graduate.

 

*George says they moved from New Jersey to Connecticut. Michael is as crazy as ever, he wrote his summer paper on trying to get laid. The school almost suspended him*

N: I can’t take the modern sexual language.

W: The movie is PG to boot.

 

*George kisses Doris and thanks her for everything. They kiss long and deep and she says they just got all dressed up*

W: Sex again.

 

*While they kiss George gets a phone call. Doris says its a rotten sense of timing. George gets a call from his daughter Debbie that she lost a tooth and he throws Doris off the bed*

W: Hahahaha.

 

*George is all guilty and freaked out now. He asks how can she be so calm and she says she handles it differently*

W: He’s gonna go cry now.

 

*Doris says to stop talking about it. She says Harry washed out as a salesman*

N: I’m like him.

W: and I’m like her.

 

*George wants to run out on their date and go home. She complains that he’s 23 hours early. He asks for his hairbrush and she throws it at him. He asks if she feels rejected and he says he understands. He says this is an emergency and she says it has nothing to do with the goddamned tooth fairy*

W: PG….PG.

 

*George admits he feels very guilty about it. She says he has a scarlet letter on his jockey shorts*

W: Hahahahahaha

 

*Doris calls him a horses ass*

N: He is a horses ass.

 

*George says he needs a lift to the airport and she looks horrified. He says he’s not leaving her permanently, he’ll see her next year. She says he won’t be back. George says its only this year. She says its not fun when he feels guilty. She says she tried to call him 10 times and says it was tearing her up. She says they can’t see each other anymore. She tells him his plane is leaving and he runs for it. She walks away sad*

N: Poor Doris.

W: Poor him.

N: No, he’s acting like she doesn’t care.

 

*Badly angled rain*

N: That is the worst rain effect I’ve ever seen. Its not even touching the other cars.

W: You’re right.

 

*George jumps out of the plane, jumps in the car and asks her to forgive him. He says he loves her and they kiss*

N: Ugh, I can’t stand him in this movie.

 

*Another time lapsing montage*

W: We got Ingemar Johannson beating Floyd Patterson for the heavyweight boxing title, JFK and hula hoops.

 

*We cut to 1961. On the phone he says he has impotence. The doctor says its no big deal*

W: BULLSHIT!!!

 

*A pregnant Doris shows up and waddles past Mr. Chalmers. He turns and looks at her*

N: Ha, look at him.

 

*Doris walks in*

W: He’s gonna freak the fuck out.

N: He’s gonna flip his shit.

 

*George walks out dressed as Hugh Hefner and he struts*

N: I can’t.

 

*George notices her baby bump and his expression changes*

W: Ha.

N: Called it.

 

*Doris asks why he’s in a robe and pj’s and he says he’s rehearsing a Noel Coward play*

W: Ha!

 

*Doris says she’s 8 months pregnant and usually they take care of the awkwardness by sleeping together. Since they can’t do it this time they’ll just tell each other secrets. George says he’s had enough surprises*

W: Hahahaha.

 

*Doris says she’s been having sex dreams with him in it. They’re doing it underwater*

W: With a snorkel.

 

*George says his secret is he can’t swim. Later on he tells a story that when he and Helen were in London and the Danish Ambassador was dressed a bum, telling Helen where the best places to eat in Copenhagen were*

W: Ha.

 

*George tells Doris that he was going impotent the last time he tried to have sex with Helen. Helen joked that when she married a CPA she thought it was his eyes that would go first*

N: What’s a CPA?

W: Certified Public Accountant.

 

*He says the worst thing about Helen is she broke his pecker*

N: You sure this movie is PG?

W: Yes.

 

*George “You don’t say “shoot, the family jewels have gone on the blink”

N: Awww that’s funny.

 

*Doris holds out her hand. George “That statement does not warrant a congratulations.” Doris says “I need help getting up.”

W: Hahahaha.

 

*Doris knits and asks what to talk about, George asks how she feels being pregnant. She lists nine different emotions. She admits while she was on bedrest she graduated from high school which is ironic because she dropped out of high school because she got pregnant*

W: That does sound like coming full circle.

 

*George says Michael got a job with the Associated Press. He then stops dead in his tracks and admits he’s getting turned on. “I’m staring at a 200 pound pregnant lady and I’m getting hot.”

W: What’s wrong with that?

N: He’s not sick like you.

 

*George goes and plays piano*

W: He looks like Mr.Rogers with that sweater.

 

*George admits he learned how to play the piano to release tension since he hates cold showers. She says she has a better idea and to follow her. She starts kissing him and she knows how to help him*

N: She’s gonna blow him.

 

*Doris starts having labor pains and he blames himself for getting hot. She says she’s having the baby now and George freaks out “Oh no, oh no, no, no, oh no”

N: That’s the Hawkeye we know.

 

*George says its a false alarm, Doris says no, just find the hospital. Doris “George, like it or not I’m going to have a baby.” George “We’re not married” Doris screams to get her to the hospital. George calls Chalmers and says his wife suddenly got pregnant and needs a doctor. Chalmers puts him through to the hospital and George bullshits saying the woman next door is in labor. George names his full name and says Doris’ doctor is Joseph Harrington*

W: Why does that matter?

 

*George asks the doc if erotic foreplay brings about premature birth*

W: Hahaha

 

*Doris stumbles out and says her water just broke, she needs a local doctor NOW. George freaks out but gets Chalmers back on the phone and says to find him a doctor. Doris has a contraction and says “This’ll teach you to fool around with a married woman.”

W: Deliver it yourself Hawkeye!

 

*George tells Doris that Chalmers will go get the doctor. Doris says the baby is coming now and she’s scared. George tries to calm her down by saying he can deliver the baby*

W: He had 3 kids wouldn’t he know a little bit?

 

*Another time lapse montage*

N: So did she have a kid or not?

W: Yeah.

 

*We cut to 1966*

W: He’s gone gray.

N: That’s the real Alan Alda.

 

*Doris runs in dressed as a hippie and kisses him. She says “So, wanna fuck?”

W: THIS MOVIE IS PG! MY GRANDMOTHER LOVED THIS.

N: You think she was a prude?

 

*George admits he moved to Beverly Hills from CT because he got sick of the snow. She says he looks kind of shitty*

W: THIS….IS…PG!

N: You must be wrong.

 

*Doris says she went back to school, going to Berkley. She says she was at a dinner party and Harry’s boss invited the family for dinner. She said she was hanging with the kids so much she didn’t think she could have an intelligent conversation with anyone over the age of 5*

N: Hahahaha

 

*Doris says the protests and demonstrations at school are more work than the schoolwork. George says that’s not gonna stop the war. He doesn’t want to discuss politics. Doris says “So far you’ve turned down Sex and politics, you want to try religion.”

W: Yeah, why is he being a douche?

N: Because she got kooky.

 

*Doris says she asked her mother when she was 9 what fuck meant and she says there is no such word. George says he’s mad blacks are burning down buildings, Harvard professors are telling his kids that dope is good and his son’s hair is so long that he looks like Yvonne De Carlo from the back*

W: Lilly Munster!

 

*Doris says her 5 year old daughter’s name is Georgette*

W: Awww that’s cute.

 

*Doris and George exchange update reports on Helen and Harry. She asks for a lousy story about Helen to bring them closer. George says he signed a client and got invited over for cocktails. George walked into the hall closet instead of the exit but stayed in there anyway*

W: Why??

 

*George came out a minute later and all 3 were staring at him. Helen peed on the carpet after laughing at him*

W: Hahahahaha.

 

*Doris says she’s been meaning to tell George for a long time that she loves Helen. He is mad that he lost the account. She asks how he became so stuffy. He denies it but she says he used to be insecure and crazy and he’s not anymore. He read one of Helen’s magazines that said how women should be having orgasms and what got him was his mother used to read that magazine for recipes*

W: That’s awkward.

 

*Doris macks on him and he asks when he became desirable. She says because he went from pompous to confused*

W: Is that girls like, confused?

N: I don’t know.

 

*Doris and George kiss*

W: Awwww isn’t that lovely?

 

*Doris isn’t wearing a bra and she says he’s so 40’s. Then she asks if he voted for Goldwater and he says he did. She gets mad and screams at him and he says to end the war, use the bomb to wipe the sons of bitches off the face of the earth. She asks what kind of man is he. She calls him a fascist and asks him why he went from democrat to republican and he screams that Michael was killed*

N: Oh no…..

 

*He says Michael was helping a wounded soldier when a sniper killed him. He says he found out that 4th of July and Helen went to pieces. He says he thought he’d feel the pain later but he never did*

N: Awwwww

 

*He says he never shed a tear and can’t believe it*

W: I’m speechless.

 

*Doris cries and hugs George. He apologizes for everything and says he’s been on edge lately. He then breaks down crying*

W: That was kinda fake.

N: Awwww I can’t. That was actually a good scene though.

 

*Another time lapse montage*

W: There’s Bobby Kennedy getting shot.

 

*We cut to 1972 and George has longer hair and a mustache. Doris says after 21 years the sex is still good. Doris is a grandmother now*

W: Saw that coming.

 

*Doris says Harry says “You’re not the woman I married.” She’s got a nose job and he’s wearing a speedo for underwear*

N: Look at that speedo.

 

*Harry says Helen took sleeping pills in her ears and the doc says “You know these can be taken orally right”

W: Hahahaha

 

*Doris gets a call from Liz and says they have to cater a party. George says she’s got bad vibes and she asks why does he care? He says he lives his life as a rich man but wonders why. He says he’s trying to be more emotionally stable and she says he still goes off sometimes*

N: What?

 

*Doris wants to now how Helen is responding to his new emotions. He says she threw a grapefruit at him*

W: Hahahaha

 

*George plays piano and Doris gets a phone call from Liz again. Doris says tell the real estate agent if he doesn’t like it then to shove it. George smiles*

W: He likes that.

 

*George “You went into business to make money?”

W: Who doesn’t?

 

*George tells a funny story of getting a rectal exam from a woman and Doris says women aren’t given a voice unless they have financial power*

W: Sad but true in 1972.

 

*Doris asks if they’re drifting apart. George says they’re closer. Doris says she lost her husband and George runs out after her. Doris says he left home four days earlier and didn’t come back. George says that’s cool and she yells at him. George says she transferred her anger toward him instead of Harry. She says if he’s honest with Helen and he says yes. She asks if he’s going to tell Helen about them and George says she’s mature enough to handle it. Doris says he’s full of shit*

W: How many curse words are allowed in a PG movie? This pushed it.

 

*Doris explains that Harry is a failure at providing and she’s a success. He may resent her for that and George says to tell him that she still loves him*

W: Yeah they completely switched attitudes from the previous year.

 

*Doris admits she was the one who proposed to Harry 27 years earlier*

W: That was rare in those days.

 

*Doris owns a restaurant and she’s catering their dinner. She goes outside to get the food and George answers a phone call, its from Harry*

N: *Gasps*

 

*George over the phone tells Harry they’re very close friends and they’ve known each other for 20 years. Harry asks if he’s from the retreat and George says Doris loves Harry. George tells Harry the story Doris told him about being thankful for being married to Harry after surviving a World War 2 prison camp. George says in any marriage total honesty is the key. George says the last 20 years has been the most intimate of his life. Harry asks what his name is and George says Father Michael O’Herly*

W: Hahahaha you thought he was gonna spill the beans.

 

*Another time lapse*

W: Alright, Mick Jagger….oh, gas shortage.

N: Jaws.

 

*We’re now in 1977*

W: This is the present.

 

*An older looking George and Doris look out onto the water. Chalmers is still there and is 75, George says he’s never aged*

W and N: Hahaha.

 

*George starts a fire while saying the cost of firewood is so high you’re better off chopping up furniture and burning it. He asks why she sold her business and she asks how he knew that. He says he’ll tell her later, she says she got bought out. She admits Harry had a heart attack and she wanted to get out. She’s gonna run on the independent ticket while Harry has lost weight but still has the face of Ernest Borgnine*

W: HAhahahaha.

N: Who?

W: An old fat actor.

 

*George says he’s not staying. He admits Helen found out about them ten years earlier. She asks when she told him, he said 2 months ago. He says a mutual friend Connie told him Helen knew all along. Doris says Helen is amazing and George admits Helen died 6 months earlier*

N: Oh no…..

W: I thought HE was dying.

 

*Doris asks if the kids are ok and he says they helped him through it. She asks why didn’t he tell her and he says he tried, he called the store she owned and that’s how he knew she sold it. George says he’s been thinking of everything they’ve been through together and he still misplaces information about her. George says in 26 years he’s never been out of love with her*

W: That’s pretty awesome.

 

*George wants to get married and Doris does a spittake. George is dead serious but she doesn’t say yes or no. She says she’s dreamed of this for years and she always said yes. He says he’s been with her for 26 years and always wanted to grab your ass*

W: Hahaha.

 

*She says she can’t marry him because she’s already married. Helen says affection, respect and a sense of continuity is why they’re still together. George is mad and admits he tried to save them 6 years earlier but she admits he was scared of being with her for good. He says he needs to be married and he’d rather have her over Connie which is the direction he’s heading. She knows about them and wouldn’t be ok with them meeting. George says if they don’t get married he won’t ever see Doris again*

N: That’s a hard pill to swallow.

 

*George begs her to marry him and Doris says she can’t. George says he wishes he knew what to say to make her run away with him. Doris says she can’t cry and George says he’s got a plane to catch*

N: Noooo.

 

*Doris says her favorite actors were Olivier, McCallister, Brando and Cary Grant. George walks out*

N: Come on, give her a hug and a kiss. Look at her she’s going to throw up.

W: Don’t tell me it ends like THIS.

 

*Doris cries on the bed but George busts in and says he’s back. He admits Connie is 87 years old and he said all that just to make Doris jealous. They embrace and George says he’ll keep coming back until their bones are too brittle. End credits*

N: That was a good ending.

 

 

Neyzor Blades Assessment: I give it an 8. It was a good one but it wasn’t a favorite. I love Alan Alda.

The Warlock’s Assessment: I agree, 8 out of 10. It was based on a play so it was going to be 2 hours of Ellen and Alan talking. Their personality changes through the years kept the story going and even though we didn’t meet them, we got to know Harry and Helen like they were real people. That’s outstanding writing.

Final Grade: 8 out 10. Amazing

 

*Warlock rises from the couch*

W: That was pretty damn good. This was so well written it managed to create characters without them ever actually making an appearance. The time lapses helped with them changing and growing as characters, especially with the current events each time. The scene where George is on edge and Doris is a hippie really drove home how the Vietnam War affected everyone. All in all it was easy to sit through and fun to watch. I definitely recommend it, especially if you like movies based on plays. Now get outta here before I give ya a slap!

368. Somewhere in Time (1980)

*The Warlock is outside Thug D’s palace tinkering with Christine. Thug D walks out wearing an Iron Maiden t-shirt, a jean jacket with band patches on it, black jeans, black sneakers and Oaklies sunglasses*

D: What are you doing?

*Metal clangs around*

W: The god damned flux capacitor is malfunctioning.

D: Flux capacitor???

W: Yeah, not that I ever intend to use it again but it would be helpful to have it working.

D: Again? You’ve actually gone back in time?

*Warlock has flashbacks of Mr. America crawling around Warlock’s old house*

W: Don’t ask.

D: Well if you’re into time travel you may want to check out the movie I’m watching.

*Metal stops clanging*

W: Movie?

D: Yeah.

W: What’s it called?

D: Somewhere In Time.

W: Never heard of it.

D: Christopher Reeves and Jane Seymour are in it.

W: Alright, I’ll join you.

D: Wash your hands first.

*Later on the two get settled*

W: Alright, let’s get started with Somewhere In Time.

 

Written by Richard Matheson

Directed by Jeannot Szwarc

 

Cast:

Richard Collier (Christopher Reeve)

Elise McKenna (Jane Seymour)

William Fawcett Robinson (Christopher Plummer)

Laura Roberts (Teresa Wright)

Arthur Biehl (Bill Erwin)

Dr. Gerald Finney (George Voskovec)

Older Elise (Susan French)

Arthur’s Father (John Alvin)

Genevieve (Eddra Gale)

Richard’s Date (Audrey Bennett)

Critic 1 (William H Macy)

Critic 2 (Laurence Coven)

Penelope (Susan Bugg)

Beverly (Christy Michaels)

Students (Ali Marie Matheson and George Wendt)

Hippie (Steve Boomer)

Professor (Pat Billingsley)

Agent (Ted Liss)

Desk Clerk (Francis X Keefe)

Maitre D (Taylor Williams)

Librarian (Noreen Walker)

Coin Shop Proprietor (Evans Ghiselli)

Tourists (Barbara Giovannini and Don Franklin)

Hotel Manager (David Hull)

Doctor (Paul Cook)

Maude (Victoria Michaels)

Rollo (William P O’Hagen)

Marie (Maud Strand)

1912 Elevator Men (Bo Clausen, James P Dunnigan)

Young Arthur (Sean Hayden)

Stage Manager (Hal Frank)

Stage Manager’s Assistant (Hayden Jones)

Director (Val Bettin)

Bones (Bruce Jarchow)

Fisher (Ed Meekin)

Miss Hammond (Erin Tomcheff)

Prompter (JJ Butler)

Bearded Stagehand (Chukuma)

Dinner Guest (Michael Woods)

Maitre D in 1912 (Jerry Kaufherr)

Diamond Jim (Don Melvoin)

Teacher (Ann K Irish)

2nd Day Desk Clerk (JoBe Cerny)

Astonished Man (Richard Matheson)

Maid in Play (Audrie Neenan)

Photographer (Tim Kazurinsky)

Stagehand with Note (Robert Swan)

Man in Library (Stan Adams)

Woman at Hotel (Sandra Bogan)

Bellboy (Shamey Cramer)

Christopher (Mark David Fritsche)

Beach photographer (Eric Kramer)

 

 

 

*D reads the tagline*

D: “A Chicago playwright uses self-hypnosis to travel back in time and meet the actress whose vintage portrait hangs in a grand hotel”

W: So wait, Clark Kent wants to meet a dead actress so he imagines he goes back in time?

 

*Late 70’s funk plays*

W: Oh god, late 70’s funk.

D: I think that’s disco.

W: That’s even worse.

 

*Richard and his girlfriend Elaine are in college. Its 1972 and some old woman looks at him. Richard says an agent says this could be a broadway hit. The old woman interrupts Richard, puts something in his hand and says “Come back to me” before she leaves. Its a pocket watch*

D: A really nice pocket watch.

W: My dad had one of those.

 

*The old woman goes back to Grand Hotel and a woman asks how the play was. Old woman doesn’t say anything just goes into her study and puts on an old record, looking at a program of Too Much Spring performed at Millfield College starring Richard*

W: They better explain this.

 

*Eight years later Richard is looking out at Chicago*

W: Clark Kent pondering life.

 

*Richard is trying to write something but can’t get any inspiration*

W: Been there before.

D: Women loved Christopher Reeves.

 

*Richard says he and his girlfriend broke up to a neighbor. He listens to the radio on a drive saying the White Sox are home playing the Yankees*

W: Ron LeFlore and Lamar Hoyt leading the charge….I think.

 

*Richard drives past the Grand Hotel sign, stops, backs up and pulls in*

W: What’s he want there?

 

*Richard checks in and the concierge tells Arthur to take his bags upstairs. Arthur blabs about his life to Richard that he’s been there since 1910 when he was 5 years old. Richard tips a 20 spot and Arthur asks if they met before. Richard says no*

W: How could they have met before?

D: You’ll see.

 

*The restaurant is empty and Richard asks for a seat and the clerk says its a 40 minute wait. Richard says how and the clerk says they’re not open for another 40 minutes.*

W: Hahahaha

 

*Richard looks at old newspaper clippings. Then the score picks up and he sees a picture of Elise and goes gaga*

W: Jane Seymour.

 

*Arthur says the woman was Elise McKenna and she was in a big play back in 1912*

W: Good year for the Red Sox.

 

*Richard goes gaga over the picture again*

W: Is he gonna jerk off to it? Jesus.

 

*Montage of Richard going restless over Elise’s picture*

W: What is he doing?

 

*Richard asks Arthur where the nearest library is and drives off*

W: You forgot to tip him.

D: Obsessive compulsive much.

 

*Richard reads up on the history of Elise McKenna. William Fawcett Robinson was her manager and she was one of the first big American actresses of her day. He asks a librarian for access to old magazines and he finds plays Elise was in*

D: This is how they come up with ideas and shit.

 

*Richard finds a picture of the old woman who gave him the pocket watch, it was Elise*

D: Oh shit!

 

*Richard meets Laura Roberts and wants intel on Elise McKenna. He says its not for a play, its personal. He pulls out the pocket watch and she asks where he got it. He says she gave it to him the night he starred in a play he wrote. She reveals Elise died that night without her watch*

W: Wow.

 

*Richard wants to know what Elise was like. By the end she was empty but was full of fun when she was young. He asks what made her change and she says Elise changed after 1912 after performing at the Grand Hotel. Laura says there was something strange about William’s relationship with Elise. Richard finds a book written by Dr. Gerald Finney and he says that was his philosophy teacher. He opens the Grand Hotel music box which plays the score*

W: This is getting creepy.

 

*Richard comes up to Dr. Finney and asks if time travel is possible*

W: Got a flux capacitor?

D: Hahahaha.

 

*Finney say its a theory but possible through hypnotism. He claims he went back to 1571 for a fraction of an instant. Richard gets excited and says but he DID do it. Finney says it felt real to him*

W: Good enough for Reeves.

 

*Richard goes into an antique store and asks for clothes and items from 1912. Richard gets dressed and cuts his hair to the style of 1912. He tips his bowler cap and says “Good evening Miss Mckenna, you don’t know me but you will” in the mirror.

W: Hahahaha

 

*Richard records himself saying its June 27, 1912 at 6 PM and both William and Elise are in the hotel. A montage of him trying to push himself back in time but he turns the tape recorder off in frustration. He tries again but turns it off again*

W: Well that didn’t work.

 

*Richard walks back to the hotel museum dejected. He looks at a Guest ledger and runs to Arthur’s house. He asks where the items came from and Arthur says the attic. Richard runs up to Arthur’s attic*

D: “Uh Richard, are you coming back to work soon? Its been over a year.”

 

*Richard grabs a ledger from 1912 in the attic and finds Elise’s signature. The he finds his own signature*

W: Wait what?

D: Yeah, pretty much they’re saying he went back in time already but he hasn’t done it yet.

 

*Richard hides the tape recorder under the bed and tries again. He wakes up and hears the sounds of horses in the street. He’s back in 1912*

W: Wow, he did it.

D: Beats crashing into a barn.

W: Hahahaha.

 

*Richard hears a woman humming and hides in a closet*

W: That’s one way to impress her, hide in the closet.

D: Back to the closet.

 

*A man shouts for Maude. Rollo is mad she’s mad that he looked at another woman*

W: A dilemma as old as time.

 

*Richard runs out the door before Rollo walks out. Richard pretends to walk the other way to fool Rollo into thinking he didn’t do it. He finds a woman in room 117 and asks where Elise is but she stones him*

W: Ha.

D: Probably thinks he’s just a fan.

 

*Richard runs into Young Arthur playing ball*

W: Not gonna be much use to you here, he’s only 7.

 

*Elise is booked to star in Wisdom of The Heart at the Grand Hotel theater*

D: I love the peanut machine.

 

*Playgoers ignore Richard*

D: People were dicks back in 1912.

 

*Richard knocks on the door in the back and finds a shapely middle aged lady. She says walking by the lake an Richard runs off*

W: Ha.

D: I’d love a vintage coca cola sign.

 

*Richard finally finds Elise*

D: “What are you staring at *slap*”

W: Hahahaha

 

*William walks up and leads Elise away. Richard follows them*

W: Not creepy or anything, right?

 

*Williams tells Richard to leave her alone or he’ll be thrown out of the hotel*

W: Wow, what an asshole.

 

*Richard follows them into the Hotel restaurant*

D: “Uh sir this is black tie only”

 

*The shapely lady says Richard’s suit is 10 years old. She also points out Elise is dancing with some guy. Richard cuts in and she tries to leave but he stops her. He says there’s no need to be afraid of him*

W: Yeah, obsessive time traveler. Not scary at all.

 

*William makes good on his threat and has Richard thrown out. Elise says she’ll go with him and she’ll be back. When they’re alone Elise says she’s never seen him before but he asks why she said “Is it you?” He asks what William’s problem is and she says he’s overprotective*

D: Cause you’re wearing an ugly suit.

 

*Alone, Elise asks if Richard is “the one”*

W: No, Neo is.

 

*Richard wakes up and stretches*

W: That’s what you get for sleeping on THAT.

 

*Richard goes to room 117 and knocks on the door*

D: I bet he’s back in 1980.

 

*Elise answers*

D: I was wrong.

 

*Richard asks her out and uses his charisma to make her smile*

W: Yeah this movie is pretty confusing.

 

*She repeatedly slams the door in his face and says she’ll meet him at 1 PM outside the hotel. Richard “She’s crazy about me.”

W: Ha.

 

*William finds Richard sitting alone. He asks what he really wants with Elise and before Richard could answer Williams threatens him with the police. Richard checks in with the clerk and gets room 420. Horrified he asks if that’s the right room then another clerk says 420 is reserved. Richard gets room 416 like it said in the ledger and signs in. He spots Young Arthur sad and gives him his ball back*

W: Ha, what a guy.

 

*Richard meets with Elise at 1 PM and William follows them. Richard says he’s like a bulldog and Elise has a horse and buggy ride away with them before William can confront them*

D: “Quick, follow them!”

 

*Richard asks why she asked is it you and she said she expected someone. William said he’d be coming. He knew somehow that she would be famous and she would meet a man to change her life. She said that man was dangerous and Richard asks if she believes that. She says no*

D: Wipe the paper off your face dude.

 

*Elise asks him to stick out his tongue*

D: “I want to french kiss.”

 

*She wipes off his face and he goes to kiss her but she stops him*

W: Yeah even kissing was a big thing back then.

 

*She asks where he got his pocket watch and he says someone gave it to her. She’s off to Denver next and he’s sad she has to go when he drops her off at his door. She has to rest but he wants to stay and talk*

W: Ah the old “Can I please come in.” I bet social justice losers would say this is rapey or some shit.

 

*Elise “What did you want to talk about?”

D: “Your fat ass.”

 

*Richard goes to kiss her and she says quietly “No.”

D: No means no.

W: Not in 1912 it didn’t.

 

*Elise asks what’s happening when he kisses her*

D: I don’t think you’re going to make the play.

 

*William knocks on the door and finds Richard there. He says “I think you should leave.”

W: “I think you’re right” and leaves.

 

*Elise tells William to fuck off and she’ll see Richard later. Richard leaves*

D: “How do ya like that, goatee?”

 

*Elise performs with Richard in the crowd and William sitting nearby*

D: I know the Maid. She was in Funny Farm with Chevy Chase.

 

*Elise goes off the script and looks right at Richard before going on an unscripted monologue about love*

D: The other actress is like “Uh what the hell?”

 

*Elise recovers by saying that’s what she WOULD say if her lover was there and the crowd applauds. The stage crew breathes a sigh of relief and the conductor does too. William runs off angry*

W: Douchebag is pissed.

 

*The photograph of Elise is being taken. She smiles when she sees Richard and that’s the look in her picture*

D: The one Richard obsessed over.

 

*Richard gets a letter from William saying its a matter of life or death. He runs to the gazebo and finds William and he asks if he knew how long he knew her. Richard says since March of 1903. William says he’s known her since she was sixteen but he’s not after her physically but she could be the greatest actress of all time. Richard says he respects him as a manager but says he’s gonna be her lover. William says he won’t allow it and he’s known all along who Richard is. Two big beefy guys jump Richard*

W: Oh its a double team!

 

*William enters Elise’s dressing room and she asks what he did to him. William says he did nothing and Richard is gone forever. She doesn’t believe him and says she loves Richard. William says that doesn’t make a difference, he’s gone. She says she’ll find him somehow and tells William to get lost while she changes. William leaves as instructed but not before saying they’re leaving for Denver in an hour*

W: Richard’s got an hour to fight back….or 20 minutes in the run time.

 

*Elise goes through Richard’s room but there’s nobody there*

W: He staggers in all beat to shit “Ugh, ugh, I’m okay.”

 

*Richard wakes up bound and gagged in a horse stable*

W: He was better off waking up on train tracks.

 

*Richard shatters a nearby glass and cuts the ropes off with the glass. He runs to her room but Arthur and his father says they just missed them, they left. Richard walks outside dejected*

W: Time to go back home now.

 

*Elise appears from the gazebo and runs into his arms. They embrace on the stairs*

W: Watch, William runs out with a gun.

 

*Richard and Elise kiss. They fade to black and she lets her hair down in her room*

W: Oh yeah, real edgy for 1912. Letting your hair down. Are we gonna get a useless sex scene?

 

*They get it on by candlelight*

W: I was right.

 

*Elise asks if he’ll marry him and he does a spittake*

W: Yeah, how is this gonna end because he has to go back?

 

*Richard has no idea what time it is and she says 5 am. She says she has to buy him a new suit. He mocks makes fun of himself and puts the suit on. He then pulls out a penny he accidentally brought with him from the future and then transports back to 1979 covered in sweat with Elise screaming for him*

W: Well that’s one way to go back.

 

*Richard tries to go back to 1912 but can’t do it. He cries*

W: Now the movie makes perfect sense.

 

*Richard walks along the beach sad*

W: Go find Arthur.

 

*Richard finds the spot he met her at, the tree is still standing. He sits at a bench with seagulls pecking at garbage. He then goes back to the picture on the wall in the museum*

D: “Uh sir, you’ve been staring at that picture for 3 days now.”

 

*Closeup of Richard’s face with red eyes*

W: He either really is crying or a hell of an actor…both.

 

*Arthur and the desk clerk put the ragged looking Richard on the bed. He’s in a coma and the doctor says to get an ambulance. Elise is standing in a bright light and smiles at him when he appears and holds her hands*

W: Wow, they’re gonna end it like THIS?

D: That was the only way he was going to get back to her.

 

*THE END*

W: I guess that’s kind of a realistic ending.

 

Thug D’s Assessment: I give it a 9. It had great acting and nothing really to complain about. It had a sad ending but it made sense. The moral is how far are you willing to go if you’re obsessed with something.

The Warlock’s Assessment: I give it an 8 out of 10. It was a bit slow and confusing some times but the story is great and so was the acting. The ending was a bit sad but I guess it had to happen.

Final Grade: 8.5 out of 10 – Classic

 

*Warlock rises from the couch*

W: That was a lot better than I expected. I’m not a big fan of chick flicks but this was damn good. As Thug D said the moral is how far are you willing to go for love and anyone who’s ever been in it will agree that love is eternal. Once again the acting was great, the story was great, the pacing was a little slow but it told the story well. I definitely recommend it. Now get outta here before I give ya a slap!

367. Broadway (1929)

*The Warlock is at The Base scrolling through YouTube with Mr. America and Neyzor Blades sitting and waiting*

N: Anytime you’re ready now.

America: What are we watching?

W: Broadway.

N: What is that?

W: Its a black and white movie from 1929?

A: Does it have any planes?

W: No.

A: I’m out.

*America gets up and goes into his quarters*

W: Just us then.

N: What’s it about?

W: I have no idea.

N: Then why the hell are we watching it?

W: I found it for free.

N: Cheap ass.

W: So let’s get started with Broadway.

 

 

Directed by Paul Fejos

Written by Phillip Dunning, George Abbott, Edward Lowe Jr, Charles Furthman and Tom Reed

 

Cast:

Roy Lane (Glenn Tryon)

Pearl (Evelyn Brent)

Billie Moore (Merna Kennedy)

Dan McCorn (Thomas E Jackson)

Steve Crandall (Robert Ellis)

Porky Thompson (Otis Harlan)

Nick Verdis (Paul Porcasi)

Lil Rice (Marion Lord)

Mose Levett (Fritz Feld)

Scar Edwards (Leslie Fenton)

Dolph (Arthur Housman)

Joe The Waiter (George Davis)

Mazie (Betty Francisco)

Ruby (Edythe Flynn)

Ann (Florence Dudley)

Grace (Ruby McCoy)

Orchestra Leader (Gus Arnheim)

Crandall’s Goons (Edgar Dearing, John Kelly)

Chorus girls (Rita Flynn, Rosina Lawrence)

 

 

*Warlock reads the tag-line*

W: “A naive young dancer in a Broadway show innocently gets involved in backstage bootlegging and murder.”

N: No idea.

 

 

*Panoramic view of New York City*

W: Gotta dig the smog.

N: Gross.

W: Soundtrack is close to King Kong but this was 3 years earlier.

 

*Silhouette of some guy posing in the middle of the city with muscles*

W: The precursor to King Kong?

N: Enough with King Kong.

 

*Opening credits*

W: Recognize anyone?

N: Hell no.

W: Me neither.

 

*Stock footage of people dancing in various locations*

W: Everybody dance!

N: Sit down!

 

*An orchestra rehearses as a man walks around a stage at the Paradise Club*

W: Damn it feels good to be a gangsta.

 

*Nick has his own private room*

W: He’s the BOSSSSSSS.

 

*Five girls are rehearsing a routine. Nick halts the rehearsal and says the show is lousy. Two of the girls tell him to stick it*

W: I can barely hear the fucking dialogue.

 

*Blonde woman is on the phone, the leader of the group is Roy Lane. Roy says most people on the circuit are full of baloney*

N: Pennsylvania 5000.

W: Operators in those days couldn’t hear anything.

 

*Different blonde girl reads a newspaper good luck ad that Roy Lane and his partner Billie Moore are rehearsing an act for the Big Time*

W: That explains someone.

 

*Different woman talks with Roy and he says Billie is ambitious*

W: This is gonna be annoying.

 

*Blonde woman calls the operator a banana*

W: Fruit as an insult in 1928.

 

*Billie talks with Roy when Nick walks in and gives him crap. A high roller named Steve Crandall thanks Billie for a good time and Roy is mad he’s trying to pick her up. One on one Roy tries to tell Steve off but Steve asks why Roy is the only one who can talk to her*

W: Good point.

 

*Steve says Roy has nothing to offer her. Pearl walks in and Steve says hi.*

W: See how big her thighs are? That was when Hollywood women weren’t all size zero.

 

*Steve says he’ll hire Roy as a clown for that night’s party and there’s a ten spot for him*

W: Ten dollars was decent money in 1929.

 

*Steve meets Porky and another man, Steve asks if they brought the stuff. Porky says yes but Scar won’t like it. Steve says he’ll handle Scar*

W: Something is afoot!

 

*Porky sampled the stuff and Steve says he’ll sell the stuff by the truckload. Nick will do what Steve tells him to do*

N: I’M TELLIN THE STORYYYY.

 

*Roy is mad in his office before we go back to Nick’s office. Nick is mad Steve ripped off Scar Edwards’ booze and Steve says he’ll take care of him. Nick doesn’t want to get caught in the middle of this*

W: What does any of this have to do with Broadway? This is a gangster movie.

N: Its business.

 

*Steve says he’s hosting Chicago gangsters that night so if Scar wants to start anything, he’ll have backup*

W: Good grief.

 

*Scar busts in and threatens Steve. Scar wants to talk man to man and says if Steve keeps moving in on his business, he’ll retaliate*

W: Yeah

N: Yeah.

 

*Scar wants to know who bumped off one of his guys and Steve’s right hand man turns him around to yell at him. Steve shoots Scar in the back and Scar takes the most pathetic looking bump*

W: WHAT THE FUCK WAS THAT? He shot him in the back and the guy grabs his forehead and faints like a woman……what WAS that?

 

*Steve and his goon carry Scar out of Nick’s office. Roy and Billie outside ask who the “drunk” is and Steve says just some guy*

W: That’s right, nothing to see here.

 

*Pearl sees them carrying Scar out and she shakes her head disgusted*

W: It was a dark and stormy night.

 

*Girls get ready to perform*

W: Look at all that ass.

N: No

 

*Roy walks onstage*

W: Look at that cane he’s holding.

N: THATS….THAT’S GOTTA BE CANE.

W: Hahahahahaha

 

*Roy sings Hittin The Ceiling*

W: Believe it or not I had this song on .45

N: I believe it, you’re a weirdo like that.

 

*Officer Dan McCorn sits down and checks out the place. He reads a newspaper that says Leader Found Murdered*

W: That’s the cop.

 

*Nick and Steve toast before Nick leaves. The right hand man runs in and says Dan McCorn is there. Steve says he’s from the homicide division. Roy finishes his act*

W: At least we’re getting names here.

 

*Roy talks with Billie in the back*

W: If I was wearing that hat I’d shoot myself.

 

*Roy wants to know why she’s been hanging around with Steve Crandall. Roy is jealous*

W: Look at her face, she’s like you saying “Will you stahppp it?”

N: Yeah really.

 

*Roy asks if she’s falling for Steve and she says he’s just a friend. Roy is worried about her career first, relationship second. Roy says they can’t let anything stand in their way*

W: I thought he was going to break out into a song.

 

*Steve walks in and Roy leaves. Steve bribes her with a bracelet his goon got from the Fence to forget about the “drunk”*

W: Ha, she didn’t even care. He’s calling attention to it.

 

*Nick tells Joe The Waiter to make it snappy when McCorn questions him*

W: Beans beans beans beans.

N: Potatoes potatoes potatoes.

 

*McCorn and Nick walk into the office and Steve bullshits him. Nick knows he’s muscling in on Scar’s territory and says not to cause trouble*

W: That’s not what I sez.

 

*Joe walks in, gets scared and walks out*

W: Hahahahaha

 

*McCorn asks if Steve has seen Scar and Steve says no. McCorn says he knows Scar was there and Steve says they’re friends but not business partners*

W: That’s a lie!

N: Let him finish!

 

*McCorn says he found Scar dying and Steve says Scar wasn’t the bad sort*

W: What, they couldn’t match slugs in 1929?

 

*Steve says his alibi is everyone saw him including Porky, Nick, Billie. Porky runs in and asks what’s going on. Nick says Scar has been killed and Porky gets excited but then sees Dan and says “oh that’s too bad”

W: Lousy liar.

 

*Nick tells Dan not to worry about it. Nick brings Dan to the back where they check out some blonde girls. Nick tries to bribe Dan with the girls when Steve walks in. Dan recognizes Pearl but she claims not to know him*

W: There’s something off with her.

N: What?

W: She knows something but I don’t know what…..wait, why am I overthinking THIS movie?

N: Exactly.

 

*Dan apologizes to Nick and Steve and leaves. Steve tells Porky to keep an eye on him. Roy leads Billie and the girls to the stage where Pearl notices the bracelet on Billie’s finger. Roy realizes its from Steve and he tells her to stay away from him. Billie tells him to mind his own business*

N: Why do men think they control women?

W: I…uh….um.

N: Yeah, shut up.

 

*Roy is wearing a giant bow tie while going on a speech saying he performed the night his father died giving 110% and he expects everyone else to do that as well*

W: What a speech. Hard to take him seriously with the bow tie though.

N: Yeah really.

 

*Roy and the girls perform while Nick grills Steve about what happened to Scar. Steve says the cops will be glad Scar is gone. Nick asks him straight up if he killed him, Steve says they were great friends*

W: He better stop admitting he did it to people.

 

*The hotel party gets rowdy*

W: And who says they didn’t have fun in the 20’s.

 

*The camera moves way too fast*

W: I’m gonna be sick.

 

*Roy and the girls make it to the back when Pearl gets a message. Its from Dan saying see him later*

W: Roy gonna complain about that too?

 

*Billie wants to give the bracelet back to Steve. Billie doesn’t want Steve romantically and he says he’s crazy about her. Roy comes down and says Mazie wants to see Billie right away. She runs off and Steve pulls Roy aside and says he’s gonna punch him in the nose. Roy “What did I ever do to you?” Steve calms down and tells him to forget it. He walks off as Mazie and Billie run out and Mazie asks what’s the idea lying about wanting to see her*

W: He’s in trouble now.

 

*Mazie defends Steve and starts heckling Roy for being small time. Roy is mad that Steve may want Billie to marry him and Mazie asks what Roy’s done for her lately. Roy tells Mazie to beat it so he can talk to Billie alone. Roy tells Billie he hasn’t said anything because his dad died but he wants to marry her. Billie says she doesn’t know*

W: You’re supposed to make it romantic ya sap.

 

*Roy asks if she likes him before Roy takes the smallest compliment and runs with it. Billie says they can’t get married so poor and Roy takes it as an insult and calls her a gold digger. She tries to say that she doesn’t mean they have to be rich but comfortable*

W: Yeah I’m with her on that one.

 

*Roy tells Billie to go think it over and Billie says she’s going to Steve’s party that night just to show him she doesn’t have feelings for him. Roy calls long distance to New Jersey and asks for the Maloney Brothers. “No, not BALLONEY, Maloney”

W: Hahahahaha

 

*Mazie consoles Billie as Roy talks to Babe Maloney and tells him to send a telegram for him. Roy hangs up when Pearl comes down. Pearl tells him not to mess with Steve and says he knows what he really is….a BOOTLEGGER!*

W: Dun dun DUNNNNNNNNNNNN.

 

*Roy tells Pearl he’s right as its time for the next number. Roy goes into The Chicken or The Egg*

N: We sung this in pre-school.

W: Imagine people paying to see your class do that.

N: No way.

 

*McCorn meets with Pearl. He asks where Scar is and Pearl asks what the big idea is. McCorn recognizes Pearl as Scar’s old flame. Pearl says to call him Jim and Pearl admits they’re going to be married. Pearl asks if something happened to Scar and McCorn asks if she’s done for the night. She says she’s got another song left so he refuses to tell her. Pearl says that Scar mentioned he was going to have a rumble with Crandall. McCorn “OH he told you that, well I’ll go about my business”

W: Aha, a clue.

 

*Pearl says she better get out of there while she still has a neck and Dan walks off as well. Dan hides in the closet*

W: You missed the exit.

 

*Roy runs out for a quick wardrobe change*

W: Yeah, stage actors really have to change on the fly like that.

 

*Roy tapdances by himself*

W: Some guy in the fourth row going “Hey what is this, bring back the girls!”

 

*Billie says if he treats her normally like he treats her tonight then he’d make a lousy husband. She also told her mother she was going to Steve’s party. Roy “If you’re doing that to spite me, I’ll eat mud.”

W: Old expression for “You win.”

N: Yeah, I got it.

 

*Roy continues to try to talk her out of Steve’s party and says he’d spank her if he catches her drinking. Billie says he doesn’t own her and Roy says if she doesn’t want to talk to him again personally that’s fine, but the show must go on as partners*

W: A tale as old as time, a woman getting mixed up with the wrong crowd.

N: Sad but true.

W: This guy may be a sap but at least he’s trying to save her.

 

*McCorn sneaks up on Porky and startles him*

W: He came out of the closet, literally.

 

*Porky is nervous around McCorn. He claims he’s in love as Steve and his goon spot them talking. McCorn asks if Porky killed Scar and Porky says that ain’t his life. Steve shows up goonless and says stop harassing his guests. McCorn says its his job to ask around and Pearl plus all the girls walk out. McCorn not knowing she’s there says someone shot Scar in the back. Also not knowing she’s there, Steve asks why anyone cares that Scar got bumped off. Pearl faints and everyone notices. Mazie asks what’s wrong and Pearl says she fell down the stairs.  Steve bribes the girls with hundred dollar bills as Pearl doesn’t partake*

W: She’s pissed.

 

*Steve tells Pearl to make good tonight and she says she will*

N: Look at the look on her face.

 

*Pearl stares a hole in Steve at the party. Some guy wants Billie to drink up but she refuses. Meanwhile Steve’s goon is finally given the name Dolph. He’s eyeballing McCorn at the club and Nick asks him why he’s not at the party. Dolph goes and gets Steve and lets him know McCorn is there too. Meanwhile some guy starts trying to rape Billie but runs into Steve who scares him off. Steve tells Billie he loves her and he’ll murder for her. He kisses her but she pulls away and says don’t. He apologizes*

W: Least he had the decency to stop.

 

*Roy spots Joe The Waiter with a telegram for Billie. Billie reads it and its from her sister saying their mother is very sick. Roy walks in and says he’ll take care of her. Steve walks out, gets the news and HE offers to take her home.*

W: Ohhhh, that was Roy’s doing.

 

*Joe brings another telegram and its from Billie’s mom saying have a good time. Roy “Wow, she must have gotten better.” Mazie sarcastically “Yeah isn’t that something.” Steve says it makes no sense to go home now. Mazie fingers Roy for the fake telegram and the entire party walk out to see Billie tell Roy off and say she wants nothing to do with him. Steve smirks in the background. He tells Nick to take everyone inside so its just the two of them*

W: He’s got 40 minutes to fix this.

 

*Steve and his goons surround Roy and he socks him. Roy calls him a coward for having so many goons around and Steve reaches into his pocket for his gun. It drops and Roy grabs it. McCorn walks in and arrests Roy instead. Dolph whispers to Steve they can match the gun and Steve has his goons grab McCorn and say to give the gun back to Roy. Dan figures it out all these guys are Chicago mobsters*

W: On loan from Al Capone.

 

*Steve says to give back the gun. McCorn says he’s got 7 guys there to protect Steve from Scar’s boys. Roy says he saw Scar there earlier and he says Billie saw him there too. Nick gets Billie and McCorn asks if she saw Scar earlier. She looks at Steve and lies, saying she didn’t*

W: Too much time left, this wasn’t going to be the end.

 

*Mazie tells McCorn to get Roy out of there and Roy screams he’ll kill Steve if he touches Billie. Billie runs upstairs crying after McCorn carries Roy out*

W: 35 minutes left.

N: Stop that.

 

*Montage of people cleaning the club in the morning to a musical interlude*

W: This movie’s version of a piss break.

N: Yeah really, get on with it.

 

*Mazie tells Nick there’s nothing to worry about. Nick says with Roy gone half his act is gone. Nick tells Joe The Waiter to buzz off as Roy walks in. Nick says he’s late and Roy says he’s not coming back to work. Nick begs to make one more show and Roy starts thinking about it*

W: What’s with his accent?

 

*Roy says he’ll do it. He runs upstairs and Billie says she’s glad he didn’t get hurt. He blows her off. Roy says he’s done bossing her and the act is busted. Roy says she lied to save Steve*

W: He’s got her on that one.

 

*Billie says she would have married him even if he was poor before last night but now he can go be with the devil*

W: They couldn’t say go to hell in 1929?

 

*Grace and Porky are absolutely hammered and Nick says he’ll send Joe to get black coffee. Meanwhile someone takes a shot at Steve but misses. Dolph drives him around*

W: Too bad they missed.

 

*Steve and Dolph run in and Steve tells Dolph to keep watch. Steve goes into Nick’s office and Porky is passed out. Pearl walks in but quickly walks away. Nick walks into the office and notices Steve all flustered. Steve shows him the hole in his hat and says someone took a shot at him. Nick “That’s baddddd Steve.”

W: Hahaha

 

*Steve says he’ll make plans without Nick. He wants to take Billie with him when he leaves town but Nick says to be careful. Steve says Billie is going with him and she promised. The buzzer goes off and the act goes to perform but the girls all push each other. Roy says that’s enough of that. Mazie taunts him and Roy says “Aww get in line before I crack ya one”

W: Hahahahaha

N: He wouldn’t do that.

 

*Nick gets Porky and Grace out of there. Nick then finds Steve and asks what’s the matter with him. Steve blows him off and walks out. Roy walks in and says the act is through. Billie says she wants to work but Roy doesn’t want her anymore. Nick says he’ll support them no matter what. Nick bribes him with his name in the bright lights*

W: Bribing him with a sign.

 

*Billie says this is his big chance. Roy says they can be partners, just not romantic. He says he won’t butt in where he’s not wanted. Meanwhile McCorn asks Nick where Steve is and Nick says he hasn’t seen him. Nick goes into the office and tells Steve that McCorn is out there. Nick “What the devil is the matter with you?” Steve says he had too much booze last night. Steve says McCorn is getting too close to finding out he killed Scar as Pearl listens from the outside. Steve says his plan is to grab Billie and some of the girls and use them as hostages if McCorn follows him. Nick asks him where his guts are and Steve admits he killed Scar. Nick freaks out but Steve says they have nothing on him except the gun. Pearl grabs the phone and pretends to be on it as Steve walks out*

W: Good save.

 

*Pearl runs off as Billie and Roy prepare for the next act. Billie wants to slowdance but Roy says no, he doesn’t want her thinking of Steve. She admits she really hadn’t thinking of Steve. He goes to propose again but the buzzer goes off and Steve wishes her well but she blows him off much to Roy’s delight. Nick gives Roy a big intro as promised but Billie gets stage fright*

W: How do you get stage fright now?

 

*Roy says if she doesn’t go on he’ll sock her in the nose and goes onstage. They perform Sing A Little Love Song and dance together*

W: Aren’t you going to sing with me?

N: I have no idea what’s going on.

 

*Steve walks out of Nick’s office and Pearl walks out behind him with a gun. She tells him “Turn around, rat.” Pearl says she doesn’t want to do him like he did Scar. Steve begs for his life and Pearl plugs him*

W: Yeah!

 

*Steve falls into Nick’s office dead*

W: Now wipe the gun off and put it in his hands. They’ll think it was a suicide.

 

*McCorn confronts Nick and Nick says he doesn’t know where Steve is. McCorn says Nick will be arrested if he doesn’t let him pass. Nick finally gives up that Steve is in the office. Roy, Billie and the others come back through the curtain and prepare for the next one. Meanwhile Mazie fights with another girl over something as Nick looks nervous. McCorn tells Nick that Steve is dead. Nick says Roy did it but McCorn says no, it was suicide. Pearl walks down the stairs and McCorn says he had Steve pinched and Steve took his own life. He says “I’m gonna report it as a suicide and THAT’S how its gonna be*

W: Hahaha he knows Pearl did it but is covering it up.

N: Police covering up a murder.

W: Nobody is going to miss him anyway.

 

*McCorn walks by Pearl and says to pull herself together before leaving. Meanwhile Roy gets to the back and gets a business card from Joe The Waiter. Mike Shea the booking agent wants to hire the act for big time work. Roy finally tells Billie he loves her and they kiss. Nick says do this later, its showtime. Pearl joins in and Roy says “Remember, we’re all artists. Here we go!”*

W: The picture quality changed.

 

*Roy goes into Hittin The Ceiling again*

W: This song again?

 

*Pearl can barely dance because she’s distracted and we get a fast moving camera*

W: I’m gonna be sick, stop this.

 

*Fins*

W: Finally.

 

Neyzor Blades Assessment: I give it a 2. This isn’t my kind of movie.

The Warlock’s Assessment: I give it a 5. It started out with a bang but then ran out of steam. I thought this was gonna be a musical then a straight gangster movie with guns a blazing but its neither. Its not terrible but it was hard to sit through.

Final Grade: 3.5 – Very Bad

 

*Warlock rises from the couch*

W: Since the movie came out in 1929 and black and white…..plus it was free on YouTube, I’m not going to squawk about the presentation. The acting left a lot to be desired, especially the guy that played Scar. The story was easy to follow even if it dragged a bit. It felt like the movie had no idea what it wanted to be, a straight up gangster movie or a musical. Thankfully it was short enough so they could make a hybrid of it and get away with it. I can’t really recommend it because the move is 90 years old and not many people would be interested. That about wraps up another edition of The Realm, now get outta here before I give ya a slap!

366. Road House (1989)

*Thug D and The Warlock are chilling at the bar at Dave & Busters*

W: So what you’re saying is that you would have had a stable of Ric Flair, Shawn Michaels, Razor Ramon and Mr. Perfect as a new Horsemen with Bret Hart and Randy Savage trying to fight them off?

D: Ultimate Warrior and British Bulldog too….would have made for a hell of a Survivor Series.

W: Would have been the greatest Survivor Series match of all time.

*Suddenly a fight breaks out nearby. The bartender smashes glasses over both of the fighters heads*

W: That went south real fast.

D: Reminds me of Road House.

W: The Patrick Swayzee movie?

D: That one, yes.

W: Funny, I got it ready right here.

*Warlock pulls out a DVD player*

W: So let’s get started with Road House.

 

Written by R Lance Hill and Hilary Henkin

Directed by Rowdy Herrington

 

Cast:

Dalton (Patrick Swayze)

Doc (Kelly Lynch)

Wade Garrett (Sam Elliot)

Brad Wesley (Ben Gazzara)

Jimmy (Marshall R Teague)

Denise (Julie Michaels)

Red Webster (Red West)

Emmet (Sunshine Parker)

Cody (Jeff Healey)

Frank Tilghman (Kevin Tighe)

Pat McGurn (John Doe)

Carrie (Kathleen Wilhoite)

Jack (Travis McKenna)

Younger (Roger Hewlett)

Hank (Kurt James Stefka)

Steve (Gary Hudson)

Morgan (Terry Funk)

O’Connor (Michael Rider)

Tinker (John William Young)

Ketchum (Anthony De Longis)

Karpis (Joe Unger)

Mountain (Tiny Ron)

Judy (Sheila Ryan)

Stroudenmire (Jon Paul Jones)

Stella (Lauri Crossman)

Ernie Bass (Keith David)

Oscar (Ed DeFusco)

Cody’s Band (Joseph Rockman, Thomas Stephen)

The Cruzados (Tito Larriva, Anthony Marsico, Gonzalo Quintana 3rd, Marshall Rohner)

Bandstand Tough Guys (John Oldach, Joey Plewa)

Bandstand Babes (Susan Lentini and Patricia Tallman)

Bandstand Bouncer (Mike Fisher and Bob Jennings)

Steve’s Girls (Dawn Ciccone, Julie Royer)

Barfly (Frank Noon)

Sharing Husband (Christopher Collins)

Well-Endowed Wife (Cheryl Baker)

Gawker (Michael Wise)

Heckler (Charlie Hawke)

Chief of Police (Tom Finnegan)

Party Girls (Christine Anderson, Lisa Axelrod, Debra Chase, Lisa Westman, Kymberly Herrin, Kym Malin, Heidi Paine, Jacklyn Palmer, Marta Richusiuso, Meg Thayer)

Strip Joint Girls (Laura Albert, Christina Veronica, Jasae, Michele Burger, Pamela Jackson)

Strip Joint Bartender (Daryl Sandy Marsh)

Nurse (Laura Lee Kasten)

Car Salesman (Bill Dunnam)

Loudmouth (Terrance Scott)

Table Dancer (Sylvia Baker)

Bar Character (Dennis Ott)

Grillman (Ancel Cook)

Derelict (Fats Williams)

Bar Band (The Jeff Healey Band)

Dancers (Louise Alvarez, Amelia Kinkade)

Bar Patrons (Arthur Lamont Berger, Tony Westbrook)

Cody’s Girlfriend (Terri Lynn Doss)

Pretty Girl (Laurette Kite)

Marine (Aaron Michael Lacy)

Barflies (Andrea Lund, Monique Noel)

Leaded Bartender (James McIntire)

Restaurant Patron (Bruce Nahin)

Fingerless Glove Man (Duff Tallahassee)

Laughing Henchman (Benny Urquidez)

 

 

*D reads the tag-line*

D: “A tough bouncer is hired to tame a dirty bar”

W: Was Jon Taffer not available in 1989?

 

*Movie opens with The Cruzados performing Dont Throw Stones at a high class bar. Some woman in a tight dress walks by*

W: Hello

 

*Frank Tilghman walks into the bar and looks around*

W: He always plays a scumbag in movies.

 

*Dalton is shown*

W: There he is.

D: People give him a hard time for his acting roles, but when he pulls it off, he pulls it off.

 

*Some asshole starts a fight and Dalton tells them all to leave. The guy apologizes, waits till Dalton’s back is turned and stabs him in the shoulder. Dalton no-sells it*

W: Ha, no effect.

 

*Dalton tells the guy and his friend to step outside. They go outside and taunt him, but he just sneers and walks back in*

D: Suckers.

 

*Frank goes in the back where Dalton is stitching up and wants to hire him to clean up his bar Double Deuce. Dalton says Wade Garrett is the best but Frank counters that he’s getting older. Dalton says he wants 5 grand up front and 500 a night. Oscar walks in and checks on Dalton. Dalton says he’s leaving and Oscar is pissed*

W: 500 a night?

 

*Dalton pulls a car up to some guy sitting on a bench and tosses him the car keys*

D: Those were the clunkers of that time.

 

*Dalton uncovers a Mercedes and drives off*

D: That’s his real car. He just drives the clunker so he doesn’t get mugged.

 

*Dalton pulls up to the Double Deuce in the Mercedes and bikers outside taunt him. Morgan throws somebody out the door*

W: Terry Funk!

D: He’s always showing up in these kind of movies.

 

*The Jeff Healey band is performing behind a cage*

D: That’s real old school.

 

*Dalton checks out the bouncers, the atmosphere, the bar and everything else. Some waitress is making a drug deal. People fling bottles to cage*

D: I think the guy singing is blind.

 

*Some guy tries to hit on the hot blonde girl and Morgan throws him out. Morgan tells Dalton if he’s not drinking, he’s out of there. Carrie Ann says not to worry about him*

W: If ya don’t start drinkin…

D and W: I’m gonna leaveeeeeee.

 

*Carrie Ann has heard of Dalton before. The bartender tells her to get to work as Frank corrects graffiti*

W: Hahahahahaha

 

*Two bouncers throw a drunk out*

W: Yeah seedy bar alright.

 

*Jeff Healey’s band greets Dalton but he wants to surprise Jeff. Jeff gives him the rundown of the bar. Carrie Ann tells Frank its Dalton. The bartender tells Morgan who Dalton is. The band plays Tutti Fruiti*

W: Where’s Jesse Ventura?

 

*Husband pimps out his wife for $20 and the guy fondles her but says he doesn’t have $20. A huge brawl breaks out and Morgan beats up everyone*

W: Why am I not surprised he beats up everyone.

 

*Morgan press slams someone through a table*

W: Take that Ric Flair.

 

*Some laughing drunk gets a bottle thrown at him. Meanwhile Frank calls Dalton into his office as the pier six brawl continues*

W: Was this the bar for Battle of the Tough Guys?

 

*Morgan asks Dalton what’s going on and says he doesn’t look like much. Dalton says goodbye to Jeff and Jeff tells Morgan “You fuck with him and he’ll seal your fate.” Morgan “So far he hasn’t shown me shit”

W: Mick Foley says Funk used to say that for real.

 

*Dalton looks at horrible used cars*

D: He’s looking for another clunker.

 

*Jimmy is the salesman and Dalton takes it*

W: That was easy.

 

*Dalton buys spare tires for the clunkers and says hi to the junk shop owner. He drives to a farmhouse where some farmer is outside waiting for him*

W: Look at this guy.

 

*Dalton’s looking for a room to rent and the owner asks him if he’s honest. Dalton says yes*

D: Give him a couple of years and he’ll be robbing banks.

 

*Farmer and Dalton hears a chopper pull up with Brad Wesley inside. Farmer says the guy does it just to piss him off. Owner’s name is Emmet.

D: Emmet Brown?

W: His other brother.

 

*Dalton says he’ll take the room and Emmet says the place has no AC or TV. Dalton says its perfect. Emmet charges $100 a month*

D: Hahahaha I wish that was still like that.

 

*Frank says Dalton is in charge*

D: Even standing there Dalton looks cool. He could take a shit and still look cool.

 

*Dalton fires Morgan. Morgan “What the fuck you talking about?”*

W: YOUREEEEE FIREDDDDDD!!!!!

D: There’s a thousand other bars he can work out.

 

*Dalton fires the drug dealing waitress. Morgan says he’s a dead man before he leaves. Dalton says no one wants to go to a slaughterhouse and things will change. Dalton says there’s 3 rules, never underestimate your opponent, take it outside unless necessary, and be nice*

W: Be nice!

D: That actually works.

 

*Dalton describes what a noun is. Muscle guy asks what if someone says his mother is a whore.  Dalton asks if she is”

D and W: Hahahahahaha

 

*Later on Steve takes two girls into the back as Barry protests. The bartender is skimming and Dalton tells Hank to stop a man letting his woman table dance. The guy punches him and pulls a switchblade. Dalton pounces and slams his head through a table. Jeff Healey gives a shout out to Dalton*

W: Hahahahaha

 

*Steve bangs some girl in the back and Dalton fires him. Steve says he’s on his break, Dalton says to stay on it*

W: Hahahahahaha

 

*Dalton fires the bartender for skimming the booze and the cash*

W: Jon Taffer, 1989.

 

*The bartender goes to Frank and wants to hear him say it. Frank says to get out*

W: Scram!

 

*Dalton tells Frank things well get worse before they get better. Dalton leaves and his car is all smashed up with the tires deflated*

D: Yup.

 

*Dalton reads while Brad has a party across the pond. Morgan with his pants down throws a woman into the pool*

W: With his pants down.

 

*Brad’s girlfriend is the hot blonde. Next morning Carrie Ann finds Dalton and brings him breakfast*

W: Hahahaha love his reaction.

 

*Dalton gets up and he’s naked, close up of his ass. Carrie gawks*

W: Oh please.

 

*Carrie says Pat the bartender shouldn’t have been fired. Dalton asks why but she doesn’t say why. Carrie says he’s a dead man, Dalton says he’s heard it before*

W: Yeah really.

 

*Brad sings Sh-Boom by The Shang Ri Las while swerving all over the road intentionally*

W: Now we’re watching Clue.

D: I’m fuckin rich!

 

*Brad nearly wipes out Dalton driving the other way and Dalton shakes his head at him*

W: Love the song, this guy can swan dive into a burning building.

 

*Dalton meets Red to fix his car which is right across the street from Double Deuce. Red says he knew Dalton was coming and Red says he’ll need a standing order*

W: Ha!

 

*Red says don’t ever get married to an ugly woman*

W: We don’t have to worry about that.

 

*Brad and his crony walk in and Dalton introduces himself. The crony and Dalton eyeball each other before Dalton leaves*

D: The look on his face is priceless.

 

*Emmet finds the Mercedes hidden as Dalton does Tai-Chi shirtless*

D: He always went the super extra mile for these roles. When he did Point Blank he really did try to learn how to surf.

 

*Brad on a quad-runner watches from across the pond*

D: Those things are great.

 

*There’s no cage at the Double Deuce now as Tinker, Pat and a third guy are in Frank’s office. Third guy says the booze is supplied by Brad and Pat is his nephew. Pat pulls a knife and Dalton throws him out the window. Tinker punches Frank and Hank who rushes in. Dalton is stabbed by Tinker but he no-sells it and takes out the third guy. The bouncers rush Tinker and Pat and throw all three of them out*

D: He was just coming in to work too.

W: Uses his 15 minute break to get stitched up.

 

*Doc stitches up Dalton at the hospital and says she gets a lot of business from Double Deuce. Doc goes to give him an anesthetic and he says pain doesn’t hurt. Dalton says his degree from NYU is for philosophy. Doc asks if he wins a lot of fights and Dalton says no one ever “wins” a fight. Dalton asks her out*

D: We’ve established the love interest.

 

*Doc says she thought he’d be bigger. Meanwhile Tinker, Pat and Brad’s crew pulls up in a monster truck*

D: A fucking monster truck, I love it.

 

*Brad goes outside to browbeat his crew. Tinker and O’Conner both apologize but Brad only believes Tinker. He beats the crap out of O’Conner and tells the other men to get him out of there. Meanwhile the top crony is Jimmy and he and another guy have trashed Red’s place. Red tells Dalton that the entire town pays Brad extortion money*

D: What a racket.

 

*Wade Garrett is bouncing at a strip club. He prevents a marine from getting grabby and his buddies shoot him with squirt gun uzis. Dalton calls Wade and asks about Brad, Wade doesn’t know him. Wade asks if he needs help and Dalton says not now. They exchange goodbyes and we cut to the Double Deuce with a new neon sign and Carrie singing*

W: That is the worst lip-synching I’ve ever seen.

 

*The blonde girlfriend tries to hit on Dalton but he stones her. Denise is her name and Jimmy pulls her away*

D: Love how he’s just like yep.

 

*Dalton and the bouncers intercept Brad’s men and beat the crap out of them outside. Doc walks in*

D: I think her dad is Red from earlier.

 

*Barry and Hank deliver the knockout blows*

D: There you go guys.

 

*Brad’s men leave*

D: “You haven’t heard the last of us!”

 

*Doc and Dalton greet*

D: “Jesus Christ you look phenomenal.”

 

*Dalton smokes while chatting in a diner with Doc*

W: He’s supposed to be the fitness guru and he’s smoking.

D: I wonder if that gave him cancer.

W: He had pancreatic cancer, you don’t come back from that.

 

*Doc drops Dalton off at his car which is now impaled by a stop sign*

D: I love how he’s so cool about everything.

 

*Dalton kisses Doc*

W: There we go.

D: Doctor by day, supermodel looking chick by night.

 

*Dalton pulls the sign out*

W: Bring it to the farmhouse.

 

*O’Connor and Tinker pull up to the farmhouse*

D: Didn’t you guys already get your asses kicked?

 

*Tinker says Brad wants to see Dalton. They lead him to the mansion across the pond*

D: Its the most….cliche villain palace ever.

 

*Denise is doing yoga with a black eye. Brad offers Dalton a bloody mary*

D: Those are gross.

 

*Brad says 80’s music has no heart. Dalton looks at a picture of Brad’s grandfather and says he must be important. Brad says his grandfather was an asshole. Brad says he came home from Korea and took over the town. Dalton says he got rich off people in this town. Brad says he’ll be even richer but says Dalton killed a man before. Brad knows it wasn’t self defense and offers to buy him out. Dalton says he can’t be bought*

W: Battle lines are drawn.

 

*Double Deuce is now a high class bar with neon signs, wait lists and people dressed up. Jeff’s band plays Road House by The Doors*

W: Imagine if that was the end? He sees all this and leaves….movie’s over.

D: I think he was about to but shit kept hitting the fan.

 

*Ernie the bartender says they’re running out of booze. Frank wants to know why. Dalton says Brad. Dalton says give him the phone*

D: This guy is like Superman.

 

*Doc greets Dalton outside but Jimmy and a crony from the monster truck taunt them*

W: Yeah like they can’t see the truck from a mile away.

 

*Doc and Dalton go up to his room. He puts on a romantic song*

W: I think we know where this is going.

D: Yep.

 

*Doc says Red is her uncle, not father. Her parents died and he took care of her. Dalton asks why she never got married, she says she did but it didn’t work. She says she picked the wrong guy and he kisses her*

W: A bouncer with a death wish is a better option.

 

*Doc and Dalton get it on against a stone fireplace*

W: Was this before or after Ghost?

D: Before.

W: Damn he got around.

D: I don’t think he starred in many bad films.

 

*Doc wakes up*

W: Are we gonna get some titty action?

 

*Doc walks outside naked where Dalton is sitting*

W: Yes we are.

D: Love how they’re just sitting outside naked.

W: There’s nobody there.

D: Except the horses, Emmet and the guy across the way with binoculars.

 

*Brad is watching across the way*

W: Just no binoculars.

D: “Dammit why can’t I have sex with this woman!”

 

*Next day Emmet asks about Doc and says to pitch his tent. Dalton walks into Double Deuce and Jeff Healey is actually named Cody in the movie. Cody says Doc used to be Brad’s girl. Meanwhile Wade Garrett pulls up to the Double “Douche” in his words*

W: Hahahhahaa

 

*Morgan, Tinker, O’Connor and another crony try to intimidate the booze truck. Dalton takes them on by himself. He fends them off but is overwhelmed by the numbers game. Wade walks outside and Morgan tells “dad” to go away*

W: Funk’s probably older than him.

 

*Garrett helps Dalton fight off the men. Morgan bounces around*

D: He can take the best bumps.

 

*The Double Deuce staff comes out to taunt Brad’s crew. Cody says its Wade Garrett*

D: I thought you were blind, jackass.

 

*Dalton brings Wade to meet Doc. Wade “I fuckin knew it”

W: Hahahahahaha

 

*Wade and Dalton share bouncing stories*

W: I looked it up, Funk is older than Sam Elliot by 2 months.

 

*Next morning Wade is dancing with Doc as Dalton yawns. Wade “Dalton is great out of the gate but not much for stamina”

W: Hahahaha

 

*Wade “That gal has too many brains to have an ass like that.”

W: Ha, I know a few girls like that.

 

*Wade says Dalton is a long way from Memphis where he killed someone. Wade tells him to forget about it. Wade says in Dalton’s shoes you either die or kill a motherfucker*

W: Amen.

 

*Doc has to leave and kisses Dalton. Later at the bar Barry runs up and tells Dalton that Red’s place is on fire. The place explodes before Dalton can run in*

W: Hope he wasn’t in there.

 

*Red pulls up in a truck*

W: Oh good, he’s okay.

 

*Brad and Denise are at the bar and he nonchalantly showboats. His crew are in the bar and he orders Cody’s band to play something. He plays Gypsy Woman as Denise dances on stage*

W: I see where this is going.

 

*Wade gets excited as she dirty dances*

W: Ok, I can’t complain. Gratuitous panty shot.

 

*Dalton stops her*

D: “You wanna see dancing, I’ll show you some dirty dancing.”

 

*Denise strips to her underwear and goes topless, Dalton politely stops her and tells Brad if you have a pet, keep it on a leash. Brad says he’s right and calls in Jimmy who smashes a bottle and eyes the bouncers. Jimmy grabs a pool cue and starts twirling it like a sword. He calls for Barry, Hank and Younger to fight. He wipes them all out by himself while Wade and Dalton wipe out Tinker, O’Connor and Morgan. Jimmy wants Wade one on one and they brawl*

W: The semi-main event.

 

*Jimmy gets the upperhand on Wade but Dalton saves him. Brad shoots a gun in the air and says that’s enough. Brad says this isn’t working out for Dalton and says its time to go. Jimmy says “Your ass is mine boy.” Wade laughs and says, new town same story*

D: Just shake it off.

 

*At an unofficial town meeting, Red says there’s nothing he can do because Brad owns the whole town. Frank says Dalton scared him and that’s a first. Dalton says he actually wasn’t scared and that’s a problem, Strodenmire says he must be stopped*

W: This is setting up to have a hell of an ending.

 

*Strodenmire is getting bullied by Brad. Barry runs over and tells Dalton. Gary runs over the cars at Strodenmire’s auto shop as Morgan and Tinker stop him from interfering. Doc says Brad has lost his mind. Brad says if she doesn’t get him out of there then he’ll put him down. Brad says this is his town as he walks off with Jimmy, O’Connor, Tinker, Morgan and Gary*

D: You got insurance don’t you?

 

*Dalton is training hard as Wade says they need to get out of there. Dalton says he can leave when he wants. Wade says Dalton doesn’t need this and Dalton says he needs him to leave him alone. Wade says he needs to kick his ass and when Dalton goes to punch him, Wade stops him. Wade says Dalton taught him as much as he taught Dalton*

W: Never fuck with the old man in a young man’s game.

D: I love how he’s punching a military duffel bag.

 

*Doc visits the despondent Dalton. He knows she’s there to get him to leave. Dalton cuts a promo saying Brad fucked up by choosing him because he never loses. Doc says who’s gonna save Dalton from Brad. Suddenly Emmet’s house explodes and Dalton saves Emmet from the wreckage as Brad watches. Dalton spots Jimmy riding off and goes off after him*

D: There ya go, leave the scene of a crime.

 

*Dalton fights Jimmy one on one. Jimmy “Prepare to die.” Dalton “You are such an asshole.”

W: Not exactly “You first.”

 

*Jimmy gets the upperhand and says he fucked guys like Dalton in prison*

W: This can’t be the final battle can it? This is Brad’s best fighter, its too early to end this.

 

*Jimmy taunts him and Dalton says to go fuck himself. Dalton starts winning the fight. Jimmy pulls a gun and says he’ll finish him the old fashioned way. Dalton disarms him and rips his throat out*

W: OHHH YEAHHHHHH!!!!!!!!!!!

 

*Doc runs up to save Jimmy but he’s dead. She’s horrified and runs off. Dalton calls out for Brad and says “FUCK YOU!!!”

W: This means war.

D: At least he got rid of his best guy.

 

*Dalton pulls up to the Double Deuce in his Mercedes and the phone is ringing. He answers it and its Brad. Brad says to save Wade or Doc, one of them dies. Brad says he’ll flip a coin and he says he’d like to tell Dalton how it turned out. All of a sudden Wade staggers in beat to shit. Wade says there were 3 of them and he was lucky. Dalton says he needs to find Doc, Wade wants to go with him. Dalton says to sit down and have a beer, he admits that Brad wins and they’re leaving. Dalton says “Atta boy amigo”

W: Wow, he’s gonna let the bad guy win?

 

*Dalton tries to get Doc to leave with him, she refuses. She’s upset that he killed Jimmy and refuses to go. Dalton goes back to Double Deuce to find Wade lying on a table. He says they’re leaving but pulls Wade off to reveal he’s been stabbed to death*

W: Ohhhhh shittttttttt.

 

*There’s a note attached to the knife saying “It was tails”

W: I hope he murders every last one of them.

D: “You killed mah pa!”

 

*Dalton pulls the knife out and gets in his car*

W: Now its time for the final battle.

 

*Brad’s crew are outside waiting for Dalton. The Mercedes crashes through the wall and there’s no one in it. It was a distraction*

D: “Fuck this Mercedes.”

 

*The knife used on Garrett was stuck to the gas pedal. Gary puts the knife back in his holster. Meanwhile one of the crew finds Morgan dead*

D: How is the professional wrestler the first to go?

 

*Gary finds O’Conner dead”

D: Dropping like flies.

 

*Dalton beats up Gary and guts him with a knife. Pat shoots Gary by accident with a shotgun and Dalton throws the knife and hits Pat with it. Pat falls to his death as Brad inspects the carnage*

W: You’re next.

 

*Tinker stumbles around and says he hates this place*

W: Should have chosen better employment.

 

*A giant bear falls on Tinker*

W: He’s not dead is he?

D: No way. The fat guy got it easy.

 

*Brad taunts Dalton that he’s the next trophy for his trophy room*

D: Jesus Christ!

W: This is the cliche part of an action movie where logic goes out the window. Even if he kills Dalton, his entire crew is dead. How can he bully the town with no help?

D: This is the tackiest room!

 

*Dalton attacks Brad and Brad shoots him in the left arm*

W: THIS is the final battle? An old man?

D: He got shot in the arm though.

 

*Dalton kicks the gun out of his hand and goes to rip his throat out, but stops*

W: What are you waiting for??

 

*Dalton spares him as Doc shows up*

W: Why did he stop?

 

*Brad picks up a gun but he’s shot with shotgun blasts by Red, Emmett, Strodenmire and Frank. Frank “This is OUR town, and don’t you forget it!” Frank delivers the killshot*

D: This is a Tales From The Crypt ending.

W: Ok, I’ll go with that ending. The town fights back, I love it.

 

*Tinker wakes up and frees himself as the cops show up. They run in and ask what’s going on. Nobody says they saw anything. They all look at Tinker and Tinker says a polar bear fell on him*

W: Hahahaha

 

*Back at Double Deuce the band plays another tune. Meanwhile Doc and Dalton frolic in the water*

W: Let me guess, he moved into the mansion. No wait, knowing Dalton he let Emmet have it.

 

*End credits*

W: That movie was a lot of fun.

 

Thug D’s Assessment: I give it an 8 out of 10. That was one of the last great hurrahs of 80’s action movies. It was super fun and better acting than it kind of deserved. Over the top story, its awesome.

The Warlock: I give it a 9 out of 10. Take out some of the cheesy aspects and it had everything you could ever ask for. Titties, action, explosions, one liners, surprisingly good acting.

Final Grade: 8.5 out of 10 – Awesome.

 

*Warlock shuts off the DVD player and pounds his fist on the bar*

W: God dammit THAT’S what I’m talking about. That was one of the most fun movies I’ve seen in a while. It had broads, it had booze and it had action as Big Joe would say.

D: The 80’s came to a close in style.

W: That’s right. I definitely recommend this and should be required viewing for all. Buy everyone a round, let’s toast Road House!

*Instead of toasting, everyone get into a brawl. D starts dropping guys left and right with his fists*

W: Well so much for a toast, now get outta here before I give ya a slap!

365. City Island (2009)

*The Warlock is at The Base. He is sitting on the couch reading Lee Child’s Past Tense when there’s a knock on the barracks door. He answers it and its a package for him. Its from San Diego and his old friend Uncanny Bruceman. He opens it and there’s a DVD inside and a note. The note reads “For my fellow feeder, you’re going to love this.” Neyzor Blades walks in the door*

N: You got a package. Let me see.

*Neyz rips the package and the note out of his hand*

N: City Island? What is that? And a “fellow feeder”? Really? You met another one?

W: Yeah, when I went to San Diego. I’ve never heard of this movie.

N: What is it?

W: Its called City Island. Apparently a New York family has a bunch of secrets.

N: Sounds silly.

W: Well it has to do with feeders so lets get this show on the road.

 

Written and Directed by Raymond De Felitta

 

Cast:

Vince Rizzo (Andy Garcia)

Joyce Rizzo (Julianna Margulies)

Tony (Steven Strait)

Molly (Emily Mortimer)

Vince Jr (Ezra Miller)

Vivian Rizzo (Dominik Garcia-Lorido)

Denise (Carrie Baker Reynolds)

Cheryl (Hope Glendon-Ross)

Michael Malakov (Alan Arkin)

Bruno (Louis Mustillo)

Casting Assistant (Jee Young Han)

Casting Director (Sarah Saltzberg)

Matt Cruniff (Curtiss Cook)

Tanya (Sharon Angela)

Ezmalia (Marianne Ebert)

Security Man (Paul Romero)

Working Class Guy (Paul Diomede)

Bouncer (Vernon Campbell)

Male Actor (Benjamin Mathes)

Female Actor (Jennifer Larkin)

Young Actor (Yvevgeniy Dekhtyar)

Actor-Dog (Marshall Efron)

Actor #3 (Lora Chio)

Actor #4 (Ivy Jones)

Actor #5 (Louise Stratten)

Actor #6 (Matthew Arkin)

Actor #7 (Michael Jean Dozier)

Actor #8 (Carly Hughes)

Actor #9 (Hallie Cooper-Novack)

Actor #10 (Joe Drago)

Market Stockboy (Dylan Bresnan)

Vince’s Bombshell Girl (Lynn Collins)

Vinnie’s attractive admirer (Bettina Bresnan)

Auditioning Actor (George Aloi)

Inmate Prisoner (Joseph Basile)

Man in Casting Line (David Boston)

Prison Guard (Joseph Cintron)

Standee (Donato DeMarinis)

Supermarket Patron (John Farrer)

Actor (Steven J Klaszky)

Goombah (Adam Larrabee)

Extra (Tom Margiotta)

Correction Officer (Cerrone May)

Drunk (Chris Miskiewicz)

Wiseguty 2 (Tom Schuebel)

 

*Warlock reads the tag-line*

W: “The Rizzos, a family who doesn’t share their habits, aspirations, and careers with one another, find their delicate web of lies disturbed by the arrival of a young ex-con brought home by Vince, the patriarch of the family, who is a corrections officer in real life, and a hopeful actor in private.

N: What? I’m so confused right now.

 

*Narrator says he has secrets. The narrator is Vince Rizzo*

W: Andy Garcia.

 

*City Island is right off the Bronx. Mussel suckers and clam diggers are different. Mussel suckers are people who moved there and clam diggers are ones who were born and raised in City Island*

W: Which one are you?

 

*Vince’s secret is he reads on the roof and smokes before his wife Joyce disturbs him, nearly falling through the sky window*

W: Hahahaha.

 

*Vince Jr starts the car and checks out Denise*

W: Oh hell yeah.

 

*Joyce gives Junior a grocery list. Joyce and Senior both smoke and drive*

W: Constantine approves

 

*Vince Jr asks out Cheryl by saying he wants to feed her doughnuts. She takes it as a fat joke and says he’s a creep*

W: Oh my god he’s me at age 17.

N: Hes a chubby chaser.

 

*Senior works as a prison guard and one inmate stares at him. The inmate is Tony Nardella and he’s in for grand theft auto. He could do his time under the supervision of a relative on the outside but he doesn’t have any*

W: Mean looking fella.

 

*Vivian is supposed to be in college but she’s working as a stripper named Nosha*

W: More secrets.

 

*Vince is arguing with Vivian in the car and he plows into another car, he gets out and yells at him for not stopping with 40 feet in front of him*

W: Hahahhaa

 

*Joyce gives Vince shit for plowing into another car. Vince “Oh, fucking hell”*

N: That’s me.

 

*Vivian, Junior, Senior and Joyce all argue and yell at each other*

W: Typical New York Italian family.

 

*Michael Malakov is hosting a casting audition*

W: He plays the best grumpy old man.

 

*Michael says 5 years of his life went out the window because of pauses. He goes on a rant saying if you pause in theater, its bullshit*

W: What a rant.

 

*Vivian on the phone says to give her shift to Autumn in front of Joyce*

W: Ohhhhh.

 

*Vince meets Molly, an actress from England with a British accent*

N: Uh oh.

W: “Hi, I’m Terry Bennedict”

 

*Michael says everyone needs to find their deepest secrets and make a monologue out of it next week. Molly is partnered with Vince and her life is messed up*

W: Ha, look at his face.

 

*Vince Jr searches for fat chicks in the Bronx on the internet*

N: It IS you!

W: This was made in 2009, I knew a couple girls from the Bronx then.

N: Oh you would.

 

*Vince tells Molly that Joyce would never go for him being an actor. His biggest secret is that Tony Nardella from the prison is his illegitimate son. He recognized him because of the last name and he was from the hometown of his ex who he ran away from. He’s never told Vivian or the kids about it*

N: That’s deep.

W: “Hey honey, meet my son!” Next scene he flies out the window.

 

*Molly says Tony is handsome*

W: Oh god.

 

*Denise runs her own BBW website called FeedingDenise and Vince Jr looks out the window at her house.*

W: Lucky bastard, living next to a web model.

 

*Vince walks Molly and talks about the situation*

W: A complete stranger knows his darkest secret.

 

*Vince gets Molly’s number on the back of her business card*

W: Now she’s really going to think he’s cheating on her.

 

*Vince Jr watches Denise walk*

N: He’s gonna ask her out.

W: A little young for her.

N: You’re one to talk.

W: At least I was legal.

N: Not at his age!

 

*Vince and Joyce yell at each other over balloons and food*

W: Hahaha

N: He’s trying.

 

*Vince finds Vince Jr outside and asks if slept out there all night. Vince Jr says he was with prostitutes at the Plaza Hotel*

N: World renowned.

 

*Vince meets with Tony in prison*

N: He’s cute.

 

*Tony says his mother died 4 years before*

N: Damn.

 

*Vince without telling him why says he’s being released into his custody for the next 30 days*

W: Tell him!

N: He’s like “What?”

 

*Vince Jr smokes on the roof as Senior drives home with Tony. “Can I ask you, like, why I’m chained to a Ford?”

W: Ha.

 

*Vince tells him the house is his and to respect it. Tony “You got your family chained up to?”

W: Hahahaha.

 

*Tony says his mother was a drunk and a whore who used to abuse him. Vince asks if he had any fond memories and Tony says at least she was around, his father was never around*

W: Ohhhhhhh.

 

*Tony thinks his father is dead and wishes he could visit his deathbed so he could dance on his ugly face for leaving him with his mother and Vince says “Okay let’s go”

W: Ha.

 

*Vince sends Tony to a shed and wants him to build a bathroom with him for the next 30 days. He’ll pay him and then he can leave. Vince uncuffs him and says if he runs then he’ll personally come after him. Vince lights up a cigarette and wants Tony to be grateful*

W: Can you blame him?

 

*Vince tells him not to talk shit about his mother. Joyce arrives and Vince says “Shit, my wife!” Tony “That’s how you say her name, ‘shit, my wife’?” Tony says she’s not supposed to know Tony is a prisoner and that they’re just friends. Tony “What were we on a bowling league together?”

W: Hahaha

 

*Vivian isn’t supposed to know that he smokes or how he knows Tony’s mother*

W: Jesus, the Chamber of Secrets would be overflowed.

 

*Junior gives up that Vince was handcuffed to Tony. He, Joyce and Vivian scream at each other. Vince reveals on his own that he knew his mother. Tony facepalms*

W: Hahaha, that’s me.

 

*Junior gives him the thumbs up on the roof and Tony gives one back. At dinner Junior asks like an asshole. Junior tells Joyce to just ask him if he and Tony’s mother had sex and Vince admits it. They all argue amongst themselves and Tony quietly eats*

W: My ears are bleeding.

 

*Junior asks if Vivian’s breasts are getting bigger and Joyce sends him to his room. He says that’s not punishment at all and Vince tells him to get lost*

W: He’s right, in this day and age a room is a haven.

 

*Tony eyeballs Vivian’s breasts and even Vince starts looking too. Vince admits Junior could be right and Vivian runs off. Joyce screams at Vince and Vince storms off. Tony quietly thanks Joyce for dinner and leaves*

N: This is my family.

 

*Vince calls Molly as Vivian shows up to work. The boss says they don’t need her because Autumn is entertaining rich asians*

W: Snooze ya lose.

 

*Joyce smokes outside and Tony says he quit smoking by default because they don’t let you smoke in prison. Joyce offers a cigarette and he takes it*

W: Oh sure, get him hooked again.

N: Everybodies smoking.

 

*Molly has dinner with Vince. She admires the fact he opened up his house to Tony. She suggests to tell Tony the truth*

W: Yeah really.

 

*Joyce vents about Vince to Tony as Molly is trying to hook Vince up with acting gigs.

W: Ha! Did you see the first gig on the paper? “Dude, your mom is hot!” HAHAHAHAHA!

N: Right up your alley.

 

*Vince Jr uses his dad’s credit card to sign up for Denise’s website*

Wa: First of the all the parents are gonna see that in their bank statement.

N: Obviously he doesn’t know how that works.

Wa: Second of all, he’s underage.

N: You’re forgetting the third thing.

Wa: What’s that?

N: The wife is going to think Vince Sr is the one on the site.

W: OH MY GOD YOU’RE RIGHT, BAHAHAHAHA.

 

*Molly and Vince are still going over how they’re going to handle stage fright*

W: Yeah I’ve been there.

 

*Denise welcomes Vince Jr to the site and says if he ever sees her out in the BBW events in the Metro area, say the secret word “Botero”

W: Love the bottom left corner it says “Count my rolls”

N: This is your shit.

W: Nancy Goddess runs the NY dances.

 

*Vince Jr clicks on a video of her fully clothed and in an apron pulling muffins out of the oven*

W: She wouldn’t have that many clothes on for a website exclusive video.

N: Will you shut up, its only a movie.

 

*Vince Jr turns away angry*

W: He’s fighting with himself. He doesn’t know if he should like her or not.

N: Speaking from experience?

W: Yup.

 

*Vince Jr jumps up to spy in Denise’s window*

W: I never did THAT.

N: For fucks sake.

 

*Tony tells Joyce he grew up without a father and his mother took the fact his father left out on him. Joyce says there’s sweaters for him in Vince Jr’s room. Tony goes up to Vince Jr’s room and finds Denise’s site on his screen*

W: Why would you leave your computer open like that?

 

*Vince Jr stares at Denise through her window and falls off*

W: Hahahahaha.

 

*Molly and Vince talk about New York. Vince says hes from City Island and Molly describes how that name is an oxymoron. Tony walks back outside with a sweater on and says goodnight to Joyce. She’s sleeping outside in a chair. Molly hands Vince her “secret” in the form of a folder but says not to open yet. She thanks him for a good night and we cut*

N: Is he holding her hand?

W: No.

 

*Montage of Vince’s family doing various things. Joyce is going to the beach when she spots Tony working out shirtless. While brushing his teeth Vince Jr finds Tony’s mugshot in his father’s bathroom reading. Vivian lights a cigarette an tosses her empty matchbook through the shed window where Tony is working out*

W: Oh, that’s from the club she works at.

 

*Tony and Vince begin to build the bathroom with Joyce checking out Tony. He tells Tony the mussel sucker and clam digger story*

W: This again?

 

*Vince Jr goes to Joyce and lets her know about Tony’s mugshot. Meanwhile Tony sneaks up on a smoking Vince Sr and startles him on purpose*

W: Hahahahaha

 

*Vince says there’s an open call for a movie tomorrow and Vince wants to take the role. He gives his story that he’s wanted to be an actor since he was a kid. He says he tells Joyce he plays poker but he’s just taking acting classes. Tony says anyone can act if they have to. Tony says he had to act like a psycho in prison to keep guys off him and demonstrates for Vince*

W: Yeah see, anybody can do that.

N: He should take that class.

 

*Vince in suit and tie runs up for the audition but has to wait in a very long line*

W: And THAT’S why I never became an actor.

 

*Vince spots Michael the acting teacher in line*

W: Hahahaha the line’s a mile long.

 

*Vince asks some guy in the line what the movie is for and the guy answers Scorsese and DeNiro*

W: Goodfellas 2.

 

*Joyce and Tony eyeball each other*

W: Yeah that’s okay, they’re not related.

 

*Tony bends over and checks out Denise between his legs waddling by. He runs over to Vince Jr and says the secret word to let him know she’s coming. Vince Jr realizes Tony knows*

N: He’s so freakin young.

W: Gotta start somewhere.

 

*Tony mouths “Botturo” and Vince screams “ITS BOTERO”. Denise turns around and sees Tony*

W: Hahaha she’s gonna think he’s in on it.

 

*Tony brings Vince Jr over who explains what Botero is*

W: He was a Colombian artist who’s specialty was drawing fat people.

 

*Vince Jr stops in his tracks and Denise asks him to go shopping with her. Tony gives him a look*

W: “If you don’t say yes, I’m gonna beat your ass.”

 

*Vince Jr says yes and Tony gives him a pat on the shoulder*

W: Thataboy.

 

*At the grocery store Cheryl spots Vince Jr and Denise shopping*

W: Now she knows he wasn’t making fun of her.

 

*Vince Jr spots Cheryl and he waves to her*

N: Her loss right?

W: She was confused, she thought he was making fun of her.

 

*Tony is working on the shed and asks Joyce what’s next. Tony says maybe they can go shopping together and asks what Vince would want. Meanwhile Vivian spots Joyce flirting with Tony and is jealous*

W: They’re brother and sister but they don’t know they’re brother and sister.

 

*Tony and Joyce walk off separately and both say its wrong for them to flirt. Joyce calls Vince at work but he’s not there. She calls him and asks where he is and he lies and says he’s at work. She asks what his toilet he wants and he says to ask Tony*

N: That sucks.

W: Yeah, she thinks he’s cheating and he’s not.

 

*Tony says he’s never been to Orchid Beach. Meanwhile Vince Jr says its his need to feed a woman. Denise says he’s a classic feeder, he gains pleasure by giving pleasure*

N: Is that how you feeders work?

W: Actually yeah….wow.

 

*Denise asks who Cheryl is and Vince Jr says its his crush and she says to invite her over*

W: Yes! Do it kid!

 

*Joyce asks Tony what crimes he committed and he lists them. He asks if she’s scared of him and she nods. They start making out*

N: Hahaha

 

*Vince makes the cut to audition but Michael didn’t*

W: Wow he made it.

 

*Tony and Joyce mack in the car*

N: Mmmhmmm

W: Mmmhmmm

 

*Tony tries to talk Joyce out of it but doesn’t want to give away Vince isn’t cheating on her as Vince at the theater is called in to audition*

W: This should be good.

 

*Tony stops Joyce and says he wants to but he can’t because Vince isn’t cheating on her. Meanwhile Vince pretends to be Marlon Brando badly*

W: Hahahahahaha

 

*Vince acts terribly and is sent away but the interviewer gets a phone call and has Vince come back. He tells the truth and says he’s not really an actor, he’s a prison guard. The interviewer has Vince go on a monologue on the prison in his own voice*

W: Awwwww I see what they’re doing. They’re making him act without acting. I know this technique. That’s like me going on a monologue about fat dances.

N: Please don’t.

 

*Interviewer has him read the part as himself, not the character. Vince uses the trick Tony taught him from earlier to impress the girls*

W: Hahaha that was awesome.

 

*Molly over lunch says Vince improvised to Martin Scorsese’s casting director and Molly says that’s amazing. Vince says Tony deserves the credit, not him. Molly says he didn’t steal Tony’s trick, he filtered it through his own which is actual acting. Then Vince gets a call from Louise the casting director and he’s confused to why. Molly whispers “Callback”

W: Its a callback you idiot.

 

*Louise tells him to read with the other actors. Vince “Wednesday, I got work on Wednesday.” Molly waves her arms. “No I don’t have work on Wednesday.”

W: Hahahaha

 

*Molly says it would be hilarious if this was his launching pad. Vince says he hasn’t even got the part. Molly tells the whole diner that he got a callback and they give him a round of applause*

W: Ok that was cool.

 

*Joyce and Tony arrive back home. Tony thanks her for a good time but she storms off. Tony goes berserk in the shed as Molly asks what Vince what he’s going to say to his wife. Vince says he can’t tell her because he’s in too deep already as Tony finds the matchbook that Joyce left*

W: Here we go.

 

*Denise holds a dinner between Cheryl and Vince Jr*

W: Keep it PG please, they’re kids.

N: Who are you talking to?

W: The director.

 

*Vince and Molly celebrate together at the diner bar and she wants to go with him home to tell everyone*

W: Oh no, they’re gonna think that’s his mistress.

 

*Vince drives Molly through City Island and she compares it to Washington Heights, Vince looks at her funny. Meanwhile Tony steals Joyce’s car to blow off steam and he hits the brakes when he sees Vince at a traffic stop*

W: Oh shit.

 

*Vince drives off without seeing Tony. Meanwhile Denise, Vince Jr and Cheryl eat and watch cooking shows on TV*

W: Why is Denise in the middle? Get the kids to hold hands.

 

*Vince takes Molly to a pier and Molly asks how Tony came about. Vince says he met Tony’s mother when he was 19 and things got complicated. Meanwhile Joyce finds Molly’s card with her number on it*

W: Ohhhhhhh fuck.

 

*Vince knew Tony’s mother was bad news and had to leave. He was 19 at the time and he gave his potential college money to her as a down payment for child support. He went back home to work with his dad until he became a guard. Meanwhile Molly gets a call from Joyce but she hangs up on her*

W: Caller ID?

 

*Joyce says to Vince to pull out her secret. Now’s the time. He opens the envelope and its a picture of 3 boys. She’s got 3 kids and her husband’s in upstate New York. He asks why they’re up there and her accent turns from British to American and she admits she’s not from England, she’s really from Schenectady, New York. Her father was a janitor and her mother left home when she was 6. She left her husband and kids months ago to forget the past and Vince says its not possible. He hugs her close*

N: That was deep.

 

*Tony hits up the club Vivian works at and finds her pole dancing*

W: Woah.

 

*Tony runs for it and Vivian catches him. They go back and forth with their secrets. She slaps him and he handcuffs himself to her. He says they won’t tell anyone what happened and drives her home. Meanwhile Vince and Molly pull up and Vince says Joyce isn’t home because the car isn’t there*

W: Hahahaha

 

*Joyce hears Vince and Molly going over a battle plan. She confronts them*

W: Here we go.

 

*Before Vince can spill the beans on his acting career she screams at him for cheating on him. She admits that she macked with Tony and Vince goes to throw up. Molly says Greek in scope. Meanwhile Tony and Vivian walks in handcuffed. Vince goes nuts and grabs a knife before chasing Tony. Tony “Holy shit, Vince”

W: Nobody knows anything.

 

*Tony runs for it and and screams at Vince with Vince Jr across the street wondering what the noise is. Vince knees Tony in the nuts and cuffs him to a pole. Joyce confronts him and Vince finally admits he’s an actor. Molly is his manager and he’s been taking acting lessons all along. Vince then asks why Vivian was handcuffed to Tony and she lies and says she was at school. Tony spills the beans and says he stole the car to get away and he found Vivian. Vivian admits she’s a stripper and she had breast implants. She got suspended for smoking pot and has to pay a reactivation fee. Joyce “Wait, you got suspended and got your scholarship taken away over a little pot? Oh sweetie come here”

W: Hahahahaha and this was 10 years ago before it was legal.

 

*Vince says hold up on the lovey dovey and confronts Tony on Joyce. Tony wants to know why Vince has this weird obsession with him and Vince FINALLY admits that he’s Tony’s father.*

N: You got some splaining to do.

 

*Vince Sr sits down on the ground and Tony figures it out. Joyce “Oh my god.” Meanwhile Vince Jr, Denise and Cheryl look on from Denise’s house. Joyce says Tony stopped her from macking on him and Vince says he should have told her years ago. Joyce thought he was just sick of her and Vince says never and they kiss*

W: Well isn’t that great.

 

*Molly runs off as Tony demands to be uncuffed*

W: Yeah really.

 

*Vince hugs Tony and cries. “I got you now, you’re my boy now.” He wants Vivian to hug her brother”

N: Awwww

 

*Vince Jr, Cheryl and Denise celebrate*

W: Hahaha look at that.

 

*From across the street, Vince Jr taunts them*

W: Haha nice.

 

*Michael asks Vince where Molly is and she’s on a bus home. Michael says one less actor to compete with. Vince then goes a monologue about himself*

W: Way to end it.

 

*Vince gets the part in the movie and we get a bbq montage with Tony, Vince, Vince Jr, Cheryl, Denise, Vivian and Joyce*

W: Love how Denise and Cheryl are there and nobody cares how Vince Jr met her.

N: They will when the credit card bill comes in.

 

*End credits*

W: Wow.

 

Neyzor Blades Assessment:  I give it a 7. I don’t know.

Warlock’s Assessment: I give it a 6. I’m not gonna say why though.

Neyz: Yeah you are.

 

Final Grade: 6.5 out of 10 – Very good.

 

*Warlock rises from the couch*

W: Well that was good. Stereotypical New York Italian family but still entertaining. The characters were fleshed out and had their quirks. Wish Denise went on to do better things.

N: Oh you would.

W: All in all I recommend it, especially if you’re a feeder. Now get outta here before I give ya a slap!

364. Devil’s Mile (2014)

*The Warlock is sitting in his 1958 Plymouth Fury drinking a glass bottle of Dr. Pepper when he gets a codec call from the frequency 141.80. Warlock sticks his finger in his ear to trigger it. A familiar voice is heard*

Snake: Warlock, this is Solid Snake.

Warlock: Go ahead Snake.

Snake: I hear you’re looking for a movie to watch with your partner. Someone we both know is in one if you’re interesting in taking on the mission.

Warlock: I’m in, what’s the movie Snake?

Snake: Its called DEVIL’S MILE. It came out about 5 years ago. You’re pretty good, I expect you to handle it.

Warlock: What’s it about?

Snake: That’s for you to find out when the time comes, Snake out.

*Codec call ends. Later on Warlock and Mr. America are driving down Hell’s Highway late at night*

America: I don’t like this, you remember the last time we were here together?

Warlock: Lucindia says she’s sorry, she didn’t know you and Wallstreet were with me.

America: Whatever, point being this place gives me the creeps.

Warlock: Oh shut up, we’re almost here anyway.

America: You didn’t take me on your little booty call did you?

Warlock: No, just shut up already.

*Warlock pulls off the highway and America spots a sign that says Devil’s Mile*

America: What the hell is Devil’s Mile?

Warlock: Why don’t we find out?

*Warlock turns onto the road where the sign leads, pulls over and pulls out a DVD player*

America: A movie? You brought me all the way out here for a movie? We could have done this at The Base.

Warlock: I’m meeting someone too.

America: We don’t need to meet anymore weirdos, especially out here.

Warlock: Whatever, let’s just get this started.

America: Well what’s it about?

Warlock: I honestly have no idea.

America: Oh just wonderful.

 

Written by Mark Opausky and Joseph O’Brien

Directed by Joseph O’Brien

 

Cast:

Toby McTeague (David Hayter)

Cally (Maria del Mar)

Suki Tsuburaya (Samantha Wan)

Kanako Kobayashi (Amanda Joy)

Mr. Arkadi (Frank Moore)

Jacinta (Casey Hudecki)

Cally’s girlfriend (Adrienne Kress)

Demon (Shara Kim)

The Caretaker (Craig Porritt)

 

*Warlock reads the tag-line*

W: “The road will never let you go”

A: How did the road get you in the first place? You chose to drive on it.

 

*Opening credits*

W: We got a cast of 9

A: Great, that means a lot of jumps scares and prolonged deaths.

 

*A woman is hanging upside down as a man has a gun*

W: So much for plot, let’s just dive right into the action.

A: No kidding.

 

*Man shoots woman as we get the movie’s title*

W: Okay.

 

*Toby says “Fuck!” in the passenger seat*

W: There he is.

 

*Toby says nobody should listen to the girl in the back. Later he throws a temper tantrum and says “Ok let’s turn around.” Girl in the back “Wait, what’s that up ahead?”

A: Credits!

W: Hahahahaha

 

*Cally is the driver and Jacinda aka JC is in the back. Toby is going to ask for directions*

W: You don’t have to say fuck in every sentence.

 

*JC pulls a gun and checks in the trunk, Kanako and Suki are there*

W: Jesus.

A: They have passengers apparently.

 

*Cally on the phone asks what to do next. JC throws the girls into the bathroom and says 3 minutes*

W: 3 minute warning.

A: How abandoned is this place where they can usher these two into the bathroom without being noticed.

 

*Kanako says they won’t be raped, but sold*

W: Human trafficking?

 

*Toby hears voices in pictures on the wall and then The Caretaker shows up. Toby says he can handle a map. Caretaker says to go back out the way he came if he wants the highway. Caretaker tries to talk him out of going forward but Toby insists. Caretaker says you can’t take the map, Toby says he’s going to. Caretaker says “You’re still a dog to him* Toby slashes his throat with a knife and he dies*

W: Woah.

A: This guy means business.

 

*Toby threatens the Japanese girls back in the trunk. Cally says Mr. Arkadi says not to hurt them. Toby says her cell bitch just grew a pair. JC pops pills for anxiety and Toby asks her what she has to be anxious about? Everyone says “fuck you” to each other. Cally says they snatched the wrong girl and Arkadi says he’ll take care of it. Toby says Arkadi’s going to tie up loose ends and better hope you’re not one of them*

W: Not much for dialogue unless you count saying fuck you 100 times.

 

*JC and Cally are asleep as Toby keeps driving and even he starts nodding off*

W: Wake up will ya?

 

*Toby tries to wake himself up while listening to the radio. He falls asleep but wakes up in a dream sequence with Cally and JC possessed*

W: This reminds me of In The Mouth of Madness a little.

 

*Toby wakes up and swerves to avoid hitting a van. JC and Cally inspect the van and there’s nobody in it. Suddenly a man approaches from behind and Cally shoots him in the head. They get the girls out so they can change their tire but the Japanese girls break free, slash Toby and run off. Toby chases after them on foot but Cally floors it and runs over Kanako*

A: You weren’t supposed to harm them and you just killed one, good job.

W: You had….

A: ONE JOB!

 

*Toby hangs up a cell phone*

W: “Uh, Geoffrey, she just killed one of them.”

 

*Toby goes to town on Kanako with a tire iron and JC shoots Toby in the head. Toby asks why she would do that before he drops*

W: Don’t tell me they killed him off 20 minutes into it.

 

*Arkadi has JC upside down and continues to babble on before shooting her*

W: Are we jumping back and forth in time?

A: I’m pretty sure we are.

 

*JC and Suki tends to Kanako as Cally talks to herself on the phone*

A: It took her too long to realize something was wrong with that phone call.

 

*Kanako’s voice on the phone says the road will never let them go*

W: Neverrrrrrrrr.

 

*Cally asks what happened to her phone and JC says sunspots*

W: Its at night!

 

*JC is afraid of the dark*

A: Generally that’s what happens at night. It gets dark out.

 

*JC has to go back and get the jack. She drops her bottle*

A: Ooh yay, more meds.

 

*Cally smokes a cigarette*

W: Excuse me while I….

A: Smoke.

 

*JC goes to the van*

A: Oh boy a VAN!

W: What happened to the body, did it vanish into thin air?

 

*JC goes through the vans items*

A: Looks like VHS.

W: Is she pilfering or what?

 

*Kanako gets up possessed*

A: That’s probably a good indication to run.

 

*Kanako says the road will never let them go as Kanako disappears. Cally says they need to go. JC and Cally leave Toby on the side of the road and drive off with Suki in the back and Kanako in the trunk*

W: Don’t tell me Toby isn’t coming back.

 

*JC says the story is Toby freaked out and killed Kanako. Cally says no because Toby and Arkadi are friends. Cally tells a story of Arkadi taking one of his own crew out and having Toby kill her with a tire iron with at least 20 strikes*

W: Geez, you think you got him?

 

*Cally hears a thud and thinks the tire isn’t on straight. JC says the axel may blow*

A: So please, describe your current situation to me then.

 

*JC speaks to Suki in Japanaese as Cally checks the trunk*

W: What was the point of that?

 

*The thudding continues after Cally drives off and JC is forced to ignore it. JC begins to nod off while reading the map*

W: We got another hour left without Toby?

A: Yeah they killed him off pretty early.

 

*JC asks if the junkyard story was true but Cally says its not. JC wants to check out the trunk and Cally says to do it herself. JC gets out*

W: And then she drives away.

 

*The trunk opens on its own and JC pretends to be a cop to scare Cally. There’s no one in the trunk and Cally says to leave her there. JC finds something*

A: Did she find a clue?

 

*Some Demon pops up and attacks Cally. JC shoots it but it has no effect. JC shines a light on it and it disappears*

W: What was that???

 

*Cally pops up and says get her out of there. Cally is in the back with Suki riding shotgun with JC driving*

W: Love how the other girl went from the trunk, to the back, to the front.

 

*JC tells Cally that she thinks Kanako is still out there. Cally says that was fucked up and JC says it was. Cally says she has to pee and JC doesn’t want to stop. JC won’t stop under any circumstances. Cally pisses herself*

W: Blerghhhhh

 

*Cally tells JC not to apologize because it makes her look weak. JC says that’s a prison rule. Meanwhile JC nearly plows into the van from earlier. JC says they can go get a doctor and Cally says fuck the doctor, just get off the road. JC keeps driving by vans*

W: Is this their homage to Lovecraft?

A: I don’t fuckin know.

 

*JC is going to stop and check out the van. She asks if Cally is ok*

W: She’s not going very far.

 

*A contorted voice says he will hold out as long as artificial light works on the creatures. Cally in the car asks why Suki is so special and she’s not gonna piss her pants*

A: I thought she already did.

W: Yeah really.

 

*Suki locks Cally out of the car when the Demon attacks. Cally makes it to the van and jumps in. JC says they got light, they’re ok*

W: For now.

 

*Cally says to search for tools*

A: What tools?

W: The tools we’ve been using for the last ten years.

A: Oh those tools.

 

*JC realizes the tools and the keys are in the car with Suki*

W: This movie’s starting to go down.

A: Starting to?

 

*Suki sees Kanako outside that says to open the door*

A: Its a trap!

 

*Kanako says it was a trick to fool them and now they can get away*

W: Don’t fall for it.

 

*Suki refuses to open the door and Kanako disappears*

W: So this is going to be what the movie is about for the rest of it?

A: Yep, told you. Prolonged waiting for these idiots to die.

W: We got a half hour to go, I can see the light at the end of this tunnel.

 

*JC gets out of the van and leaves Cally inside*

A: Okay monster, time to pop up.

 

*JC grabs the flashlight but gets stuck under the van. She cries out to Cally for help but Cally is scared. JC says to stop moving and Cally says she isn’t moving*

W: Ruh roh.

A: Better find that flashlight quick.

 

*The Demon pops up and JC blasts it with the flashlight. Meanwhile Suki gets out of the car*

W: Now you’re gonna get it.

 

*Suki sees Kanako and JC finally frees herself. The Demon attacks but Suki saves JC and they both run to the car. JC says the Demon out there is trying to kill them. Suki asks why and JC says they deserve it*

A: What an epiphany.

 

*JC tells her in Japanese to stay in the car and Suki answers in English that her Japanese is terrible. She tells JC to tell Cally the truth. JC goes to get Cally and she deliriously answers in Spanish. Kanako pops up and asks where the fuck she’s going*

W: Home, where do you think she’s going?

 

*Kanako “You’re only safe until the lights go out”

W: Wait till daylight.

 

*Cally finally lets JC in the van. JC goes to hotwire the van and Cally can’t help. Cally says the Junkyard story was true after all and it was Cally’s girlfriend that Toby killed*

W: Oh wonderful.

 

*JC finally admits to Cally that she’s an undercover cop trying to get Arkadi. She was planted to gain Cally’s trust. Cally says she and her gf were going to ride off into the sunset together. Cally tells JC how to hotwire the van and JC does it*

W: Now what?

 

*JC looks back at Cally and she’s all bled out*

W and A: *Fake death* Ehhhhhhhhhh

 

*Arkadi with JC upside down knows she was an undercover cop and she wasn’t the first they sent to stop him. JC tells him to go to hell and he shoots her again*

W: Is he purposely grazing her?

 

*JC hops out of the van and Suki is on the ground with a knife buried in her. Toby pops up and whacks JC with a crowbar. They wrestle until Toby gets the upperhand. He says who’s to blame and JC says to let’s find out. She takes out the van’s headlights and the Demon attacks and pulls Toby away*

W: Well at least we got to see him again.

 

*Toby with half his face ripped off crawls into the van. The Demon chases JC into the trunk and the Demon disappears. Later on Toby drives the van “FREE AND CLEAR! EVERYTHING’S COMING UP TOBY!” and swerves to avoid a car in the daylight. Basically Toby just turned into the demon that attacked JC and Cally earlier*

W: Oh, they went Dead Birds with it.

 

*JC gets out of the car in broad daylight and a horse is waiting for hr. She rides off on it*

A: They gonna explain what her being upside down was all about?

W: Or this horse?

 

*JC limps back to the auto store from earlier and looks at all the pictures on the wall. Toby, Kanako, Suki and Cally are apart of the wall. Caretaker is alive and he says he’s never seen anybody come back alive before. She said he had a map and she hands the map back to him. He says she still has a hell of a thing left to do. He says he’s just the caretaker. She calls up Arkadi and says the crew and package are dead. Come get her*

W: Here you go, now they explain it.

 

*We cut to Arkadi with a gun with shell casings everywhere. JC rushes him but he shoots her*

A: What did she think was going to happen?

 

*Arkadi says her memories are a curse. She’s trapped there and so is he. He says she needs to break this endless cycle. Not for him or Toby but for the girls and Cally. “One choice to change fate.” Arkadi says until she makes that choice, they’re all trapped. JC asks who’s to blame for this, God or the devil? JC says she remembers everything. JC says she’s not his prisoner, she’s his jailer and she’ll never let him go. He shoots her right between the eyes*

W: Wronggggggg

 

*Arkadi shoots himself and JC wakes up on the road with Toby and Cally. There’s blood on her fingers. She says “Are we lost?”

A: What?

W: Low budget Lovecraft ladies and gentleman.

 

*End credits over a song*

W: I don’t mind the song.

 

Mr. America’s Assessment: I give it a 2.5 out of 10, that was hot garbage.

The Warlock’s Assessment: I give it a 4. Its one of those reality benders where you don’t know which way is up. Kind of a ridiculous plot with human trafficking going on but whatever.

Final Grade: 3 out of 10 – Bad

 

*After the movie ends, Warlock shuts the DVD player*

W: I get what they were trying to do but not everyone will get it. This was clearly an homage to HP Lovecraft but not everyone has read Lovecraft. Just like with In The Mouth of Madness, this is a reality bender that you don’t know what’s real and whats not. I dug Toby as the heel and JC as the main character but again, a lot of people are going to be confused.

A: Wonderful, can we go now?

W: No, I gotta wait for someone.

America: You know what, fuck this. I’d rather run into Lucindia then meet that Demon….thing from the movie.

*America gets out of the car*

Warlock: How the hell you gonna get back home?

America: I’m not going far, just getting some air. Don’t worry I got a flashlight in case that thing attacks.

*America walks away. Warlock goes to text Lucindia when the car door opens*

Warlock: That was fas…..

*Solid Snake sits in the passenger side*

Snake: Kept you waiting huh?

Warlock: Hahahahahahahahaha. Haaaaaaahhahahahhahaa.

 

*THE END*

363. Maniac Cop 3: Badge of Silence (1993)

*When we last left off, Thug D and The Warlock had wrapped up Maniac Cop 2*

W: So let me get this straight, now Maniac Cop is trying to bring someone else back from the grave to be his zombie wife?

D: Yeah, it sounds silly but its still really good.

W: Why do I not believe you?

D: You can believe what you want but this is the movie we’re watching.

W: There’s not a fourth one is there?

D: No, definitely not.

W: Then let’s get this over with then and begin Maniac Cop 3.

 

 

Written by Larry Cohen

Directed by William Lustig

 

Cast:

Detective Sean McKinney (Robert Davi)

Matt Cordell (Robert Z’Dar)

Dr. Susan Fowler (Caitlin Dulany)

Katie Sullivan (Gretchen Becker)

Hank Cooney (Paul Gleason)

Frank Jessup (Jackie Earle Haley)

Houngan (Julius Harris)

Willie (Grand L Bush)

Dr. Peter Myerson (Doug Savant)

Dr. Powell (Robert Forster)

Bishop (Bobby Di Cicco)

Tribble (Frank Pesce)

Leon (Lou Diaz)

Lindsey (Brenda Varda)

Terry (Vanessa Marquez)

Pedestrian Heckler (Denney Pierce)

Reporter (Ted Raimi)

Kenyon (Vinnie Curto)

Degrazia (Jophery C Brown)

Janitor (Jeffrey Anderson-Gunter)

Teen Witness (Jeffrey Hilton)

Nora Sullivan (Barbara Pilavin)

Shotgun Cop (Vic Manni)

Nelson (Tony Capozzola)

Assistant Coroner (Barry Livingston)

EMT Driver (Jason Listig)

Elderly Patient (Bill Irving)

Radiation Therapist (Harri James)

Nurse (Katherine Marie Elledge)

Dr. Dennison (Amanda Finnigan)

Dr. Chad (Claudia Templeton)

Dr. Everett (Hillary Black)

Priest (Henry Pensen)

Driver on Fire (Andy Gill)

Office Worker (Brian Mayes)

Telephone Man (Joshua Weisel)

 

 

*D reads the tag-line*

D: “A female cop is gunned down and wrongly accused of using excessive force in a hostage rescue attempt. Maniac Cop returns from the dead once more to seek revenge, destroying everything and anyone that stands in his way.”

W: So is he turning babyface now?

 

*Movie opens with a graphic explaining the first two movies*

W: Quick and to the point.

 

*Some black dude speaks Haitian to revive Cordell*

W: Dembella, give me the power I beg of you!

 

*We get a montage of Cordell shooting up a police station*

W: And still buried with full honors.

D: Well they cleared his name originally.

W: I know, but still.

 

*Voodoo priest stabs somebody’s severed head to revive Cordell*

W: The Bride of Chucky of the series.

 

*Opening credits*

W: Cool

 

*Detective McKinney and Officer Kate Simmons banter at a firing range. Its her birthday and McKinney says to have fun. She’s a good shooter*

W: Nice shooting, stranger.

 

*McKinney is a sharpshooter and Kate is mad she’s being brought up on bogus excessive violence charges. They say they call her Maniac Kate. McKinney says with hollow points you never have to worry about accuracy*

W: Hahahahhaa true.

 

*He gives her a watch for her birthday*

W: Brutal cops stick together.

 

*Cordell walks around*

W: He’s got nothing to do right now. The bad guys are dead and the politicians that set him up are dead.

D: Just wait.

W: I know, just saying right now he’s off-duty…so to speak.

 

*McKinney pulls up to a crime scene. Someone was beheaded and someone drew a smiley face in chalk. McKinney “Least he died with a smile on his face*

D: Hahahahaha

 

*McKinney finds a chicken carcass in the head*

D: The voodoo priest.

 

*McKinney says this is the work of voodoo and says because of Cordell. The detective says they killed the guy. McKinney says no, he was already dead and they took his head posthumously as part of the ritual. Meanwhile some guy goes apeshit in a convenience store killing cops and shoppers alike. Kate runs in with a machine gun and unloads but misses him. The guy grabs a girl and taunts her as the film crew runs in. She runs out*

W: The camera crew is there with the robber.

 

*McKinney finds the voodoo priest and grills him. Kate tries to sneak in through the roof to attack the robber and he finds valium. He shoots something into his neck as Kate jumps through the ceiling. Kate gives him a count of ten to stop him and she fires, disarming him. He goes to shoot her and Kate shoots him dead. Kate turns around and the girl grabs the gun and Kate realizes she let him in to begin with. The girl shoots Kate and Kate plugs her between the eyes. Kate is rushed to the hospital with the camera crew filming*

W: Now we’re going Robocop here.

 

*Mrs Sullivan runs to the hospital and McKinney is there. Mrs Sullivan says McKinney was always her guardian and if she dies, to make sure she goes to heaven. Meanwhile Cordell stalks around*

W: Now he’s needed.

 

*McKinney is led upstairs at the hospital where Kate is brought in still alive while Cordell busts into the voodoo priest’s lair. The Priest says he needs Cordell’s kind of darkness. Priest says he’s back because Cordell himself allowed it, he can’t bring back spirits at rest*

W: So he can’t ressurect Jack and Theresa from the first two movies to fight him?

D: Nope

 

*The reporter shows the doctored camera footage of Kate shooting the suspect and hostage cold blood*

W: Ted Raimi, Sam’s brother.

 

*McKinney watches the news and gets pissed as Cordell throws shit around. McKinney meets Dr. Myerson who says Kate is braindead and to stick her in a rock garden*

W: Well so much for her.

 

*Cordell has the exact same flashback he’s had in the first two movies of him dying in prison*

W: We know the story now, give it a rest.

 

*Added footage of his prison battle from the second movie*

W: Ok, that’s more like it.

 

*Some guy on the street tells Cordell that Kate had it coming and its not the wild west anymore. Cordell throws the kid in the air and shoots him with all 6 rounds*

W: Wild west style.

 

*Willie and McKinney meet at a diner. Willie says Kate is screwed for using illegal weapons. The suspect actually survived and his name is Frank Jessup. McKinney runs into Dr. Fowler and says to take a hike. McKinney grills Frank and ties up the oxygen tube so he can’t breathe. The prisoner in the next bed says he didn’t see nothing. Fowler asks what’s going on and McKinney says he had an itch he can’t scratch*

W: Hahahahaha

 

*McKinney sits with Kate and holds her hand and visions Cordell behind him. We cut to a gruesome wedding scene with Kate walking by cops looking at her*

W: I wouldn’t dream this on acid.

 

*Kate is “marrying” Cordell. Kate wakes up and McKinney runs to get help. Fowler doesn’t believe that she woke up. McKinney tells Fowler that Kate grabbed his hand. She says she’ll talk Dr. Myerson and McKinney says not to drop his name. Myerson walks out of surgery and establishes himself as a dick. Kate wants another brainscan and Myerson says she’s gumby and not worth it*

D: This guy is a douchebag

W: Yeah, he plays a great dick but I’m not buying him as a doctor.

 

*Cordell bangs on the door where Myerson is banging some nurse. Cordell attacks him with heart paddles*

W: Hook a 9 volt to a dead frog huh?

 

*Cordell chases Myerson to the roof and electrocutes him with the heart paddles*

W: Ha, that was fun.

D: Score isn’t as good though.

 

*Fowler runs into a Bob Marley lookalike who’s the janitor*

W: Ha, he works there.

 

*McKinney is brought into investigate Myerson’s murder. He takes a drag of a cigarette and hands it to Susan. Susan talks about dealing with pain and McKinney says chocolate chip mint ice cream. Before McKinney leaves Susan says a cop matching Cordell’s description was walking away from Kate earlier. McKinney heads to the basement and searches for Cordell*

W: What is he gonna do if he finds Cordell, shoot him?

D: Ask if he wants to join Jehovah’s Witness. Wonder if this connects to John from Child’s Play.

 

*The voodoo priest is Houngan and McKinney confronts him. McKinney wants to know about resurrection*

W: BACK UP IN YO ASS WITH THE RESURRECTION!

D: Enough of the Geto Boys.

 

*Houngan pulls out a file from McKinney’s past to where Cordell and him are linked. Mr. Cooney meets Dr. Powell*

W: This movie has half the cast of Die Hard.

 

*Dr. Powell cracks jokes with dying patients*

W: How many assholes work at this hospital?

D: I think he just cracks jokes so he doesn’t lose his own mind.

W: Like Hawkeye in MASH.

D: Yeah.

 

*Powell by himself goes into the X-Ray room and is attacked by Cordell. He gags and ties him down before turning on the x-ray machine*

D: Why’d he leave him there?

W: The radiation.

D: Oh yeahhhhh.

 

*An orderly finds Powell dead as Cordell rips up the papers to pull the plug on Kate. Meanwhile the camera crew films some young black man saying his sister was shot and killed. “Life’s a bitch huh Matt?”

W: What’s the purpose of this scene?

D: They’re gonna die.

 

*Tribble is one of the crew and his partner looks for him. He opens the ambulance door and finds Tribble and two others dead. Cordell kills him too*

W: Another one bites the dust.

 

*Cordell rips a door off a car and puts the tape from the camera in. Its McKinney’s car and he plays the tape to show Kate was set-up. Meanwhile Cordell looks for Frank in the hospital and finds him*

W: There he is.

 

*Cordell uncuffs Frank and hands him a gun*

W: Uh, why?

 

*Cooney hits on a woman and is blown away by Frank. Frank leads two prisoners in a breakout as Cordell stands by Kate. Frank says he just shot his lawyer and his partner says get another, they’re free*

W: Ha!

 

*Cordell fondles Kate*

D: Getting a little touchy feely there.

W: Oh come on.

 

*Cordell unplugs Kate as a body wheels itself toward the three prisoners. McKinney pops up and and kills the partners*

W: Haha where did he come from?

 

*Cordell carries Kate away as McKinney searches for Frank. He finds a woman on the toilet and Frank pops up behind her and shoots at McKinney. McKinney turns around and empties a whole clip into him*

W: Think he got him? Yeesh.

 

*Susan patches up McKinney as Cordell carries Kate down the basement*

D: Reminds me of the corridors in Halloween 6.

 

*Lovejoy interrupts Susan and McKinney saying Kate is missing. McKinney tells Susan to stay behind and he’s going after Kate alone. He tries to use a lighter to see and Susan says he needs her because she has a flashlight*

D: Or he just takes the light and tells her to stay back.

 

*McKinney and Susan enter Houngan’s lair. Houngan is preparing Kate for a ceremony and McKinney stops it but Cordell cocks a shotgun. Cordell goes on a speech saying she’s clear and at peace, don’t go through with this. Cordell says “Finish it”

D: He’s got the Green Ranger candle in his hand.

 

*Houngan says he can’t recover the soul because she won’t allow it. Cordell blows him away but he lands on the candles and the fire. Cordell grabs Kate’s body and they both are on fire. McKinney carries Susan to safety as Cordell runs off as the parish goes up in flames. Susan and McKinney ride in an ambulance and kiss*

W: We had to have this didn’t we?

 

*All of a sudden Cordell pulls still on fire and pulls the driver of the ambulance out. McKinney empties two clips into Cordell with no effect*

D: Funny how hes been trying to clear his and Katie’s names the whole movie and this is how he repays him?

 

*McKinney grabs a fire extinguisher*

W: He’s gonna go Jaws on him.

 

*McKinney throws the extinguisher into Cordell’s car and he grabs ahold of the ambulance. McKinney swerves to a railroad sign that severs Cordell’s left arm but flips the ambulance. Cordell goes to ram the ambulance but the extinguisher finally explodes and take out the car*

W: Smile ya sonova…BOOM.

 

*McKinney lights a cigarette with the burning severed arm*

W: Ha!

D: I would have pissed on it.

 

*McKinney walks off with Susan as Cordell grabs Kate’s hand*

W: Another sequel…that never happened.

 

Thug D’s Assessment: I give it a 6 out of 10. It was still fun as batshit insane as the story was. Too many ideas thrown at the wall and the voodoo shit was kind of pointless. Still fun though.

The Warlock’s Assessment: I give it a 5.5 out of 10. Definitely seemed like there were too many ideas into one movie. It kind of deviated from the original point of the first movie but I guess that’s expected with a 3rd in a series.

Final Grade: 5.5 out of 10 – Above Average

 

*Warlock rises from the throne*

W: I was pleasantly surprised. Usually direct to video movies suck but this one was okay. I would say this was a Child’s Play ripoff but at least they made an attempt to make their own story. Its not as good as the first two but still watchable. I recommend it if you can stomach the first two movies before watching this one. This finally wraps up the Maniac Cop series, now get out of here before I give ya a slap!

362. Maniac Cop 2 (1990)

*When we last left off, Thug D and The Warlock had just finished watching Maniac Cop. They’re about to put on the first sequel*

W: So let me get this straight, Maniac Cop did okay at the box office so they decided to do it again 2 years later?

D: Yeah.

W: Where was a demand for a sequel to THAT?

D: I don’t know but this is my favorite of the series. Look at the cast.

W: I will admit its got a good cast.

D: So give it a chance.

W: Alright, let’s start MANIAC COP 2.

 

Written by Larry Cohen

Directed by William Lustig

 

Cast:

Detective Sean McKinney (Robert Davi)

Susan Riley (Claudia Christian)

Edward Doyle (Michael Lerner)

Jack Forrest (Bruce Campbell)

Teresa Mallory (Laurene Landon)

Matt Cordell (Robert Z’Dar)

Blum (Clarence Williams 3rd)

Turkell (Leo Rossi)

Detective Lovejoy (Lou Bonacki)

Cheryl (Paula Trickey)

Lew Brady (Charles Napier)

Store Clerk (Santos Morales)

Harry (Robert Earl Jones)

Citizen (Andrew Hill Newman)

Traffic Officer (Angel Salazar)

Cab Driver (Vincent Russo)

Tom O’Henton (Hank Garrett)

Detective (Bo Dietl)

Color Guard (Charlie Alfano)

Police Officer 1 (Kurek Ashley)

Captain of the Guards (Nick Barbaro)

Prison Guard (John Barnes)

Medical Examiner (Barry Brenner)

Police Officer 2 (Joe Cirillo)

Pedestrian (Marc Chamlin)

Trustee 2 (Charles Croughwell)

Convict (Shelly Desai)

Ranger Officer (James Dixon)

Sergeant (Jude Farese)

Priest (Henry Fehren)

Trustee 1 (David M Graves)

Ambulance Attendant (Lisa Kramer)

Club Host (Lennon)

Strip Club MC (Frank Pesce)

Newscaster (Sam Raimi)

Bartender (Debra Sarrategui)

Woman Cop (Linda Stockwell)

Prisoner (Danny Trejo)

Interviewees (Audrey Marlyn, Patrick S Harrigan, Glen Lloyd Hahn, Maria D’Alessio)

Strip Club Girls (Cynthia Banks, Heather Dalberg, Nancy Dregan, Robin Hansen, Manuella Mora, Krystal Sather, Mildred Smedley, Ysobel Villanera)

Voices (Catherine Battistone, Roger Aaron Brown, Bert Rosario, Burton Sharp, Jason Lustig, Lee Arnone, Rod Gist, Enrique Castillo, Jack Linden, Paul Pape)

Prisoner 2 (Thomas Paul Croce)

Robber (Marco Rodriguez)

 

*D reads the tag-line*

D: “A supernatrual, maniac killer cop teams up with a Times Square serial killer.”

W: I’m starting to notice that sequels to Campbell/Raimi movies are more ridiculous than the first.

 

*Movie opens with the end of the first movie*

W: Oh good, takes off the run-time.

 

*Voices of girls jump roping is heard*

W: Since when is this Nightmare on Elm Street?

 

*Same score as the first*

W: There’s that score again.

 

*Junkyard is shown*

W: Here’s all the cars from the first movie.

 

*Arcade machine is shown*

W: What game is that?

 

*A bum walks in*

W: Operation Wolf! Love that game.

D: This guy always plays a bum in every movie he’s in.

 

*Bum steals food right in front of the clerk*

W: Not every conspicuous.

 

*Julio the owner triggers the silent alarm when bum tries to rob the store. Julio has no money but just scratch tickets in the register. The bum makes Julio scratch the tickets and one of them is a $5,000 winner. Julio laughs as Officer Cordell shows up. He beats up the bum and shoots Julio dead with a sawed off. He hands the gun to the bum and leaves. The bum runs out to a hail of gunfire killing him*

W: Think they got him? Jesus.

D: Yeah really.

 

*The scratch ticket is covered in blood*

D: If I was one of the cops, I’d have picked it up.

 

*The new police commissioner Doyle wants Theresa and Jack to see Susan Riley, the psychiatrist. They meet with her and she doesn’t believe them that Cordell is alive either. She clears Jack but not Theresa*

W: Wow.

 

*Detective McKinney kills a suspect and walks past a movie theater showing Back To The Future 2*

D: Great movie.

 

*McKinney meets with Susan Riley. He lights up a smoke and she tells him to put it out on his hand*

W: Would have been bad ass if he didn’t lick his hand first.

 

*Susan brings up how McKinney found his partner dead and McKinney says only wimps go to shrinks before he leaves*

W: Don’t slam the….

D: …Door

 

*Jack buys a dozen newspapers with his picture on it as Cordell walks down the street. Cordell kills Jack from behind*

W: ARE YOU FUCKING KIDDING ME?

D: Like Nightmare on Elm Street 4.

 

*McKinney, Lovejoy and Theresa identify the body as Jack in the Coroner’s mortuary*

W: Wow, I’m stunned.

 

*McKinney interrogates Theresa under orders from Doyle. He leaves and tells Doyle he hates doing this and would rather find out who killed Jack. Susan doesn’t like it either and McKinney says he doesn’t like her for trying to get in people’s heads. McKinney says his wife went to see a shrink and now she’s his ex wife. He says to shove Sigmund Freud up her ass*

W and D: Hahahahhaa

 

*A cop has some guy’s car towed. He insults him but Cordell shows up and bashes the guy, sticks him on the tow hook and drives off in the truck. The guy rips up his ticket*

W: HAHAHAHAHAHAHAHAHA!!!!!!

 

*Susan looks at the newspaper vendor Jack was killed in front of and grills him. He flashes back to Vietnam and says Cordell reminds him of that*

D: Look there’s Gorezone in the background.

W: Texas Chainsaw 3.

 

*Detective arrests the guy who was getting towed and the guy names Cordell the killer but the Detective doesn’t believe him*

W: Nobody believes him.

 

*McKinney says the murderer killed Doyle’s predecessor and will come after him next. Doyle wants to assemble a new task force and McKinney says use Theresa to help. Theresa says she’s going to Criminals at Large that night and wants Susan to come with her. Theresa doesn’t tell her what shes going to say and Susan says fine, she’ll pay for the cab. The cabbie drives them to Mayflower Hotel*

W:  Better than the Sedgwick Hotel from Ghostbusters.

 

*Theresa figures out Cordell is following them. The cabbie pulls over to fix his tire*

W: The cabbie’s name is Vincent Russo.

D: That sucks.

 

*Theresa spots Cordell approaching and floors it. Cordell plows over the cabbie and chases after them. The wheel falls off and Theresa is driving rim on cement*

D: Where’s Robocop when you need him?

W: He’s in Detroit, this is New York.

 

*Both cars crash, Theresa pulls her gun*

W: That’s not gonna help.

 

*Cordell takes a whole clip and no-sells it. He throws Theresa through a window before he pulls Susan out. He handcuffs her to the car as Theresa grabs a chainsaw*

W: Wouldn’t be a Bruce Campbell movie without a chainsaw.

 

*Cordell snaps Theresa’s neck as he sends Susan and the car off down the highway*

W: Wow, both leads are dead.

D: Nightmare on Elm Street 4

 

*Susan somehow crawls into the car and swerves into a junkyard*

W: Ok, the car was going 100 mph, there’s no way Cordell shows up within 5 seconds.

D: “I was just going for a test drive”

 

*Susan has a broken wrist and McKinney shows up to ride with her. Susan tells McKinney she believes it really is Cordell now*

W: Too little, too late.

 

*Doyle is with Lew Brady and Susan on set*

D: Murdoch from Rambo 2.

 

*A Serpico lookalike watches the show at the bar and laughs. Doyle wants to suspend Susan and she says Cordell will find him. Strippers strip at the strip club*

W: This is no longer the worst movie of all time.

 

*Cheryl dances and Serpico goes to watch up close*

W: Serpico’s fallen on hard times.

 

*Cheryl dances on a pole as Serpico pulls a 20 out*

W: Here we go.

 

*Serpico tips Cheryl the 20*

W: Its got his phone number on it right?

D: She’s probably the hottest woman we’ve seen in this movie.

 

*Cheryl calls home and lies to her mom that she’s doing well*

D: This is sad.

W: Sad but true, this happens all the time.

 

*Cheryl gets a knock on the door. Cheryl “Who is it?”

W: Candygram.

D: Housekeeping. You want me to rough you up?

 

*Cheryl calls for help but the desk clerk refuses to help a stripper*

W: Wow, what an asshole.

 

*Serpico busts through the window and slaps her around. He taunts her*

D: Yeah he’s the serial killer they mentioned earlier that kills call girls.

 

*The phone rings as Serpico strangles Cheryl. Cordell busts in and goes to kill Cheryl but real cops bust in. Cordell throws them around and follows Serpico to the roof*

W: So what, they’re working together?

D: He’s using him like the woman from the first movie.

 

*Serpico is really named Turkell*

W: That’s Leo Rossi?

 

*Turkell has a wall of girls he killed*

D: That’s Cheryl on the bottom.

W: Wow, they screwed up.

 

*Turkell pours himself a drink and says he’s a big fan of his. He wants Cordell to write his name down so he can say it. Cordell almost actually says his name and Turkell figures it out*

W: Wow, he tried to talk.

 

*Susan and McKinney share notes as Turkell and Cordell compare daggers*

W: Cordell wins.

 

*Turkell says if you put the squeeze on important people, you end up in the slammer instead of them. Turkell wants to know what happened and we get the flashback from the first movie*

W: Saves the run time.

 

*Lovejoy is with Cheryl and McKinney and Lovejoy says they have Turkell on surveillance. Cheryl says Cordell saved him from Turkell then killed the two cops that busted in. McKinney says the papers say Cheryl was killed to protect her. Cordell leaves Turkell’s apartment and Turkell says he’ll be waiting*

W: What a team. A rogue dead cop and a serial killer.

 

*Lovejoy, McKinney, Susan and Cheryl go into a strip club. Cheryl says she makes a grand a week and McKinney says he needs to take dancing lessons. Lovejoy says they should stay and have a drink. Turkell walks in and Cheryl makes him. Susan knocks him cold with her cast*

D: Book him Danno.

 

*McKinney grills Turkell and asks where Cordell is. Turkell says Cordell will be coming for him as Susan hits the firing range. The instructor gives her shit for being a bad shot*

W: Hahahaha.

 

*McKinney finds Turkell’s apartment and says they found a serial killer. Turkell sings in jail as a prisoner and Blum protests*

W: Danny Trejo and Clarence Williams in bit roles.

 

*Susan asks Turkell where Cordell is and he just laughs and says to stick around. We cut to the firing range where a gaggle of officers are killed by Cordell*

W: He’s not Robocop but he’s got Robocop’s gun.

 

*Cordell plows through the police station shooting everyone in sight*

W: Now we’re ripping off Terminator.

D: “Ive only been here two weeks.”

 

*Turkell taunts Susan as Cordell shows up. Lovejoy runs out to meet with McKinney. Doyle is on his way to take charge. Blum, Prisoner and Turkell steal guns from the dead cops and their uniforms. Turkell says they’re going to Sing-Sing to break everyone out*

D: No, he’s gonna kill the guys who did that to him.

 

*Another prisoner wants no part of this and Cordell knocks him out. Doyle makes fun of Susan as she’s led away. Cordell, Blum and Turkell hold Susan hostage as they drive off. McKinney tells Doyle they need to talk. Doyle says they’ll do it inside his limo*

D: What Commissioner has a limo?

W: Commissioner Gordon have a limo?

D: Hell no.

 

*Commissioner wants to know why he’s going to Sing-Sing and McKinney figures out Cordell was sent there to die by politicians like Doyle. Doyle pulls a gun on McKinney and McKinney says Doyle was in on it. Doyle has McKinney pull over and he admits to everything and McKinney says they can stop Cordell and Doyle agrees. Meanwhile Blum tries to hit on Susan and Cordell motions to back off*

W: Ha, that’s hilarious.

 

*McKinney wants Doyle to make a full confession to the Mayor as the prison bus pulls up to Sing-Sing. They use Blum’s actual transfer orders to get in. Susan says “Welcome home Cordell.”

W: Time for revenge.

 

*Cordell, Blum and Turkell take Susan hostage inside as Doyle and McKinney are outside. Doyle says the whole trial was a sham and they’re sorry. Doyle says the conviction will be reversed if he surrenders. Cordell walks off with Turkell in hot persuit. Blum gets scared and falls to the ground. Doyle says he’s signed a confession and McKinney says he hopes he heard him. Cordell busts into the prison area and finds the guys that attacked him. One of them hits him with a molotov cocktail and Cordell throws one of the guys into the fire. Cordell kills him by kicking him away in the fire*

D: Stop drop and roll.

 

*Cordell finds the second prisoner and throws him against the wall. The final member of the trio corners him. Turkell turns on Cordell and Cordell fries him before throwing him out a wall through a bus below. The bus explodes.*

W: That shouldn’t have blown.

 

*We cut to a memorial for Cordell that has him buried in a police cemetery with full honors. McKinney and Susan are there for the ceremony. The casket is lowered into the ground as McKinney thinks he hears Cordell walking away. McKinney drops the badge on the casket and says there’s a piece of Cordell in every cop. When an arrest is made knowing the perp will be back on the street*

W: That’s a good promo.

 

*We cut to the casket where Cordell punches through it to retrieve his badge, end credits*

W: Another sequel incoming.

 

*End credits have a rap of Maniac Cop*

W: Oh god…now they’re ripping off Ghostbusters 2.

 

Thug D’s Assessment: I give it a 9 out of 10 for me. The first one dragged on, this one didn’t. Better character development, better acting and better gore. The only gripe I had is makeup effects but that’s nothing.

The Warlock’s Assessment:  I give it a 6. I liked the first one better, this was a little bit stupid. I agree on the better acting but the premise of it was kind of ridiculous. It’s clearly established in the first movie he’s not really dead but this one makes him out to be a zombie. Still a good movie though.

Final Grade: 7.5 out of 10 – Good

 

*Warlock rises from the throne*

W: Like I said I preferred the first one but this one was okay to watch. It got a little farfetched as to why Cordell would want to chill with a serial killer but hey, it made for a good ending. Killing off the two survivors from the first movie quickly pretty much guaranteed a third movie and apparently that’s what we’re going to get.

D: You damn right that’s what we’re going to get. Buckle up because we have one more to go.

W: Better get this over with then.

 

*TO BE CONTINUED*

361. Maniac Cop (1988)

*Thug D is in his Palace putting a DVD into the player. The Warlock is on one of the thrones*

W: So let me get this straight, we’re going to be watching a movie about a zombie police officer?

D: Slightly more complicated than that.

W: How else do you describe something called MANIAC COP?

D: A police officer back from the dead wreaks havoc on New York City.

W: Isn’t that what I just said?

D: But he’s not just any cop, he has a backstory.

W: He better,

D: Let’s get this started.

 

Written by Larry Cohen

Directed by William Lustig

 

Cast:

Frank McRae (Tom Atkins)

Jack Forrest (Bruce Campbell)

Theresa Mallory (Laurene Landon)

Commissioner Pike (Richard Roundtree)

Captain Ripley (William Smith)

Matt Cordell (Robert Z’Dar)

Sally Noland (Sheree North)

Regina Sheperd (Nina Arvesen)

Councilman (Nick Barbaro)

Detective Lovejoy (Lou Bonacki)

Coroner (Barry Brenner)

Ellen Forrest (Victoria Catlin)

Clancy (James Dizon)

Bremmer (Corey Michael Eubanks)

Cassie Philips (Jill Gatsby)

Fowler (Rocky Giordani)

Jack’s Lawyer (John F Goff)

Desk Sergeant (William J Gorman)

Tactical Sergeant (Jon Greene)

Prison Guard (Teddy M Haggarty)

Squad Leader (Dan Hicks)

Dr. Gruber (Erik Holland)

Assistant Squad Leader (Dennis Junt)

Nancy (Marcia Karr)

Motel Maid (Judy Kerr)

Detective (Jake LaMotta)

Woman in Car (Judy Levitt)

Squad Commander (Jason Lustig)

Motel Manager (William Lustig)

Jail Guard (Vic Manni)

Chico (Tito Nunez)

Ramos (Daniel Ortiz)

John (Louis Pastore)

Watchman (Frank Pesce)

Sam (Bernie Pock)

Man in Bar (Ed Polgardy)

Parade Reporter (Sam Raimi)

Police Officer (Carla Reynolds)

Witness (Jefferson Richard)

Nurse (Adele Sparks)

Man in Bar 2 (Tom Taylor)

Waitress (Ingrid Van Dorn)

Musician (Luke Walter)

Prison Guard (Patrick Wright)

Patrolman (Nicholas Yee)

White Woman (Lee Arnone)

Young Black Man (Nay K Dorsey)

Old Man (Buck Flower)

Young White Man (Bill Waldron)

Black Woman (Alma Washington)

Prison Inmate (Charles Croughwell)

Building Superintendent (Ron Holmstrom)

Mayor Jerry Killium (Ken Lerner)

Chief of Staff (Leo Rossi)

 

*D reads the tag-line*

D: “A killer dressed in a police uniform begins murdering innocent people on the streets of New York City”

W: If Campbell and Raimi are involved, it has to be at least watchable.

 

*Officer Cordell puts his uniform on*

W: So this is the Maniac?

D: Yes.

 

*Cordell loads a service pistol*

W: Service pistols, gotta love em.

D: I love the score.

 

*Shot of the Twin Towers*

W: Won’t see those no more.

D: Its always sad.

 

*A woman walks out of a bar*

W: Seedy bar patrons.

 

*Woman walks down the street and is mugged by two latino thugs. She fights them off*

W: Oh…wow…I like it. These guys suck.

D: They do. Failures at life and failures at something simple like stealing.

W: You and I could take these guys.

 

*Woman spots a cop hiding in the shower with the two thugs watching. He snaps her neck easily and they run away*

D: “Uh its actually racist to say that Pueto Ricans killed them.”

 

*Detective and two officers has the two thugs arrested*

W: That looked like Jake Lamotta….wow.

 

*Frank McRae meets with the Coroner who describes how the woman died excitedly. Frank says there’s no way those two thugs did this. Lovejoy wants to know why. Frank says a cop did this*

W: I love how he knew already.

 

*Frank says the woman’s name was Cassie and she knew the cops in town. Frank is mad a rogue did this*

W: Wait 30 years.

 

*A guy and a girl stop at a red light and he says the light’s broken. Maniac Cop shows up and points to step outside. He says he can’t afford tickets and Maniac Cop pulls out a dagger and kills the kid before sending him through the windshield. The girl drives off*

W: Ha, left him behind.

 

*Commissioner Pike meets with Frank. Pike says its not a cop but someone who hates them. Frank says they need to profile the NYPD to find someone to fit the bill. Frank says otherwise you’re looking at a white man over 6 feet tall in a uniform. Frank says they need to stop him and Pike says HE needs to be evaluated. Frank tried to kill himself 10 days after his partner was killed*

D: Anymore wounds you want to open?

W: Least we get some character development.

 

*Some guy with a music instrument case is attacked by Maniac Cop. He’s handcuffed but gets away when he sees the guy’s face. He runs for it while screaming from help*

D: Its New York City in the 80’s, nobody is going to help.

W: Sad part is you’re right.

 

*Man falls into wet cement where he’s suffocated by the Cop. Next morning he has to be excavated by piledrivers*

D: Hahahahhahahahahaa

 

*Frank meets with Regina. Frank says there’s a rogue cop on the loose killing innocents. She says “Maniac Cop?”

W: The title of the movie.

 

*Frank says to break the news tonight on her show. Frank hands her a file and Regina says she owes him one. Regina on the news says a rogue cop is on the loose*

D: Now the people are gonna start panicking. Now if they get pulled over they’re gonna start killing the cops

 

*Lady’s car dies in the middle of the street She gets freaked out when a cop knocks on her window. She pulls a gun and shoots the patrolman in the head*

W: Good call.

 

*Pike meets with two officers and say they need to nail this bastard. Meanwhile some woman puts a newspaper clipping of Maniac Cop in a scrapbook. Officer Jack Forrest is going on duty and his wife questions why he doesn’t talk anymore. He says he wants to leave work at home. His wife says he takes OT to get away from her and she says he has violent dreams. Jack says he’ll go out for a weekend with her*

W: What is she, a mental patient?

D: I think she thinks he’s the Maniac.

W: Please tell me he uses a shotgun in this movie.

D: He’s kind of a dick.

 

*Wife gets a phone call and its from another woman asking when Jack is going to kill again*

D: Somebody is feeding it to her….but who?

W: A real mystery.

D: Its not a typical slasher movie, its also a who-done-it.

W: Well it kind of blew the “who-done-it” with the nametag in the opening credits.

 

*Jack’s wife stalks him as he’s on patrol. He walks into a motel and enters a dark room*

W: Time for some hanky panky.

 

*The wife Ellen goes to the motel manager and asks for the room*

W: That’s the movie director.

 

*Ellen walks in to find Jack in bed with another officer. She at first is relieved hes not the killer but then pulls a gun on him for being an adulterer. She runs away leaving Jack and the woman alone*

D: “Want to go for round two?”

 

*Ellen is kidnapped by Maniac Cop as she runs off. Next morning Maid walks into the room to find Ellen dead*

D: Don’t mind the blood.

 

*Police Captain Ripley pulls Jack out of a squad meeting and tells him his wife was murdered in a sleazebag motel. Jack pretty much admits he was there and Ripley says to shut up before he gets read his rights. Frank and Ripley interrogates Jack as the Lawyer shows up. He throws Frank and Ripley out before saying he’s going to be in a police lineup. The lawyer says they can plea insanity and he says he didn’t do it*

W: Even the lawyer thinks he did it.

 

*Various citizens complain about cops on the news*

W: 30 years later nothing as changed.

 

*Frank and Ripley talk at the bar. Frank knows Jack is innocent but doesn’t know who he’s protecting. Frank meets with Jack in a jail cell and tells him the real killer is framing him. Frank says there’s a leak in the department that is feeding intel to the Maniac. Jack says he’s banging Officer Theresa Mallory. Frank says its a well kept secret, Jack says not well kept enough*

W: Ha!

 

*Theresa is a cop working as a hooker and some guy makes her for a cop and drives off. Theresa runs into the Maniac as Frank pulls up looking for her. She identifies herself as an officer but he throws her down. She shoots him 3 times but he doesn’t budge. Frank pulls up and shoots but Maniac no-sells it*

D: “Jason Voorhees was his name”

 

*Frank and Theresa talk at a bar. Theresa says he’s not human because she shot him in the head at least twice. Frank asks why Jack is protecting her. Frank says she’s going to a safehouse because if Maniac knows where she works, he knows where she lives. She asks how Maniac knows everything and Frank says they have a leak that’s setting up Jack. He wants to know who knows they’re a couple and she says Sally Nolan is her source. Frank knows her and says she’s a fixture at the precinct. He gives Theresa a key to his apartment and says to lock herself in*

D: “And be naked when I get home.”

 

*Frank snoops around when Sally walks by. Frank asks for a pen*

D: “Anything else ya fuckin want?”

 

*Frank says Theresa was attacked and Frank and Sally play mind games with each other.*

W: He knows that she knows something but won’t press, she knows he knows something but not what.

 

*Frank follows Sally to a warehouse*

W: Oh boy, a follow scene.

 

*Sally drives in as Frank sneaks behind. She meets with Maniac Cop and says the plan is to get the mayor and Commissioner. Sally asks Matt why he’s targeting innocents and not the scum. Frank gives himself away and Sally shoots at him. Matt the Maniac runs off as Sally says they need each other*

W: They better explain this.

 

*Frank runs into a Watchman with his gun. The watchman says he deserves hazard pay for wearing the uniform*

W: Yeah really.

 

*Frank figures out the Maniac Cop is Matt Cordell. He was a renegade vigilante cop who killed mafia bosses, drug dealers and terrorists. Another officer tells him that Cordell was a good cop but the politicians wrongfully imprisoned him with criminals to make an example out of him where he was killed. Sally was his girlfriend who tried to kill herself after but failed and ended up crippled. Meanwhile Matt is having flashbacks to his sentencing and being thrown in Sing-Sing*

W: If Jason Voorhees was a cop.

 

*Various prisoners eyeball Matt in the flashback*

W: He put half of them there.

 

*Flashback shows Matt getting attacked by three men in the shower. He fends them off but gets shanked and mutilated*

W: What was the actor known for?

D: I don’t know. I think he was in Pink Cadillac.

 

*Frank and Theresa visit Jack and say Matt Cordell is the killer. Frank says Dr. Gruber at Sing-Sing will give him the answers of how he got out of prison. Frank leaves Theresa to “interrogate” him. She kisses him once he’s gone*

W: My kind of interrogation.

 

*Frank goes to Sally’s desk and goes through her purse, finding a white glove. Sally pops up and beats him with a cane. Sally freaks completely out and staggers away only to find the Watchman hanging. Sally screams “HE’S HERE! HE’S HERE!”

D: Stop overacting.

 

*Matt grabs Sally and pulls her through a window. Frank shoots at him point blank but misses*

D: No, not Tom Atkins!

 

*Matt beats up Frank as Theresa finds everyone dead. Jack and Theresa escape as Matt continues to throw Frank around. Jack says if he’s not back in 5 minutes then to hotwire Frank’s car and get out of there. Frank is thrown out a window and lands on a nearby car. Jack looks out the window*

D: “Damn, where’s my chainsaw when I need it.”

 

*Lovejoy tries to arrest him but Jack punches him and runs off. He tells surviving officers he didn’t do it and runs out with Theresa. A panoramic view of the George Washington Bridge*

W: That bridge is a mess at rush hour.

 

*Jack and Theresa walk into Sing-Sing*

W: Ha, he’s wanted for murder yet the prison guards let him in.

 

*Dr. Gruber says Matt was buried in Potter’s Field or should have been. He looks in the file that says Sally claimed the body. He then asks Jack for ID that he’s Frank McRae*

D: Oh yeah, he thinks that’s Frank because it was supposed to be him.

 

*Dr Gruber then points the finger at Jack as the newspaper claims he’s the killer. Theresa says Cordell didn’t die and Gruber only said he was dead just to keep him alive. Gruber says he was legally brain dead but not actually dead. He throws Jack and Theresa out and Gruber says this never happened. Gruber says they’re trying to ruin him like the politicians ruined Cordell. Theresa says they just want to bury Cordell once and for all. Jack figures out there’s a St. Patrick’s Day parade and Cordell used to march in it. Theresa says that’s where he’ll be*

W: There ya go.

 

*Parade reporter says the Parade is well guarded*

W: There’s Sam Raimi.

 

*Jack says they’ll shoot him on sight if he confronts Ripley and Pike. Theresa says she’ll do it. Theresa tells Pike and Ripley that Matt Cordell is the killer and they don’t believe her. Pike and Ripley try to frame Theresa and she says he’s the target. Ripley and Pike laugh at her and tells a cop to book her. The cop puts the moves on her*

W: Oh god.

 

*Cordell pops up and kills both Pike and Ripley*

W: Ok so who’s left, the mayor?

 

*The cop keeps hitting on her before handcuffing her to his wrist. He rants and raves but Cordell stabs him. She drags the cop all the way to the door but Ripley’s body is keeping it shut*

W: Just grab the key!

 

*She finds the key and unlocks herself as Cordell smashes through the door. She throws a chair out a window to alert the cops. She climbs out onto a ledge and fights Cordell off. A squad spots Jack and arrests him. He’s thrown into a van that Cordell commandeers and drives off. Theresa finds some cop and tells him to go after the van, the guy drives with her*

W: Hahahaha why would he believe her?

 

*Officer Bremmer is the cop with Theresa as Cordell rams a random car into a wall*

D: “I was just going to McDonalds damn it!”

 

*Cordell plows over the Watchman that Frank met earlier to gt to Pier 14 where he “lives.” Bremmer and Theresa are in hot pursuit. Cordell grabs an axe and smashes the door open. Theresa pulls up with a shotgun and fires a warning shot to let Jack go. He does and Theresa runs up to Jack. Cordell grabs the shotgun and goes to kill Jack when Bremmer runs up and shoots at him. Cordell blows away Bremmer and takes off in the van with Jack in tow. Cordell is impaled by a mast as Jack, the van and Cordell crash into the water. The van nearly landing on Jack’s stunt double*

D: That really was a close call for that stunt double.

 

*The van is lugged out of the water with no one in it*

W: Of course there’s no one in it. Look for a body floating.

 

*A hand goes up the pier*

W: And thus we get a sequel.

D: Two of em…..

 

*End credits*

W: To be continued.

 

Thug D’s Assessment: I give it an 8 out of 10. It was a different kind of slasher for its time, it was NYPD Blue meets Friday the 13th. Lousy acting but good fun.

The Warlock’s Assessment: I give it a 7, the acting was kind of ridiculous and the story is a bit far-fetched. Still you’re right, it is a different kind of slasher which is why its fun to watch.

Final Grade: 7.5 out of 10 – Fun to watch.

 

*Warlock rises from his throne*

W: That was a fun popcorn flick. It didn’t try to do too much but at least it was entertaining. It did have a Jason Voorhees feel to it which was still going strong by 1988. All in all its worth taking a look at, Bruce Campbell usually finds a way to deliver the goods. That about wraps up…

D: Sit down, you’re not going anywhere.

W: Say what?

D: We got two sequels, so buckle up.

W: Ah lovely, guess we’re gonna be here a while.

 

*TO BE CONTINUED*

360. Grease 2 (1982)

*The Warlock is at The Base when Neyzor Blades walks in carrying a DVD*

Neyz: You’ve been putting this off for two years and now its time.

Warlock: What are you talking about?

Neyz: We watched Grease and I want to watch Grease 2.

Warlock: Oh come on, I don’t want to watch that.

Neyz: Why not?

Warlock: The first one was so good, they can’t possibly top it. Its gonna suck.

Neyz: How is it going to suck if you don’t watch and find out?

Warlock: But..but..

Neyz: No buts! We’re watching it.

Warlock: Ugh, fine. Put it in.

 

 

Written by Ken Finkleman, Jim Jacobs and Warren Casey

Directed by Patricia Birch

 

Cast:

Michael (Maxwell Caulfield)

Stephanie (Michelle Pfeiffer)

Paulette (Lorna Luft)

Sharon (Maureen Teefy)

Rhonda (Alison Price)

Dolores (Pamela Segall)

Johnny Nogerelli (Adrian Zmed)

DiMucci (Peter Frechette)

Goose (Christopher McDonald)

Davey (Leif Green)

Frenchie (Didi Conn)

Principal McGee (Eve Arden)

Coach Calhoun (Sid Caesar)

Blanche (Dody Goodman)

Mr. Stuart (Tab Hunter)

Mr. Spears (Dick Patterson)

Miss Mason (Connie Stevens)

Eugene (Eddie Deezen)

Brad (Matt Lattanzi)

Sorority Girls (Jean and Liz Sagal)

Leo Balmudo (Dennis Stewart)

Preptone (Brad Jeffries)

Henry Dickey (Vernon Scott)

Cycle Lords (Steve M Davison, Richard Epper, Pat Green, Freddie Hice, Steve Holladay, Gary Hymes, Michael Runyard, Scott Wilder)

Girl Greasers (Helena Andreyko, Ivy Austin, Lucinda Dickey, Sandra Gray, Vicki Hunter, Donna King, Evelyn Tosi, Dallace Winkler,)

Boy Greasers (John Robert Garrett, Bernard Hiller, Roy Luthringer, Charles McGowan, Aurelio Padron, Andy Tennant, Tom Villard, Michael David Eilert)

Dancers (Hillary Carlip, John Allee, David Daniel, Mary Ann Hay, Jenifer Newman)

Windshield Man (Frank Clark)

Salvage Yard Manager (William N Clark)

Bass Player (Michael DiMente)

Girl In Class (Janet Jones)

USC Trojan Marching Band (themselves)

Bowling Alley Patron (Manny Weltman)

Bowling Alley Manager (Tom Willett)

 

 

*Warlock reads the tag-line*

W: “An English student at a 1960’s American high school has to prove himself to the leader of a girls’ gang whose members can only date greasers.”

N: Hmm? What do you think this is, Catdog?

 

*Blanche and Principal McGee raise the Rydell High banner and say its going to be a wonderful year when the entire cast runs up and dances*

W: Okay that was stupid. I don’t remember my first day of school running up and dancing with my entire school.

N: Its a musical you dope.

 

*Back To School by The Four Tops plays as the Ladies and T-birds make their appearance*

W: Those are some of the worst looking high schoolers I’ve ever seen.

 

*Eugene is tripped up*

W: He’s been playing a nerd for 20 years.

 

*Ms. Mason is introduced*

N: There’s your kind of teacher.

 

*Eugene gets knocked over again*

W: He’s still there?

 

*Frenchy says hi to Sandy’s cousin Michael*

W: The fuck is she still doing here?

 

*Frenchy says she dropped out but had to go back*

W: At least they explained it.

 

*Couch Calhoun is attacked by a dog*

N: Its a babies.

W: Sid Caesar is back.

 

*Goose steals someone’s cello*

W: Shooter McGavin is a thief.

N: The teachers look mortified.

 

*Greasers enter the school all smoking*

W: Okay, I accept the guys from the first movie weren’t exactly intimidating but they look like the Coney Island Warriors compared to this crew. My sister can take that guy!

 

*Some guy jumps through the window*

W: Ha, perfect introduction.

 

*Sharon, Paulette, Stephanie, Rhonda are at their lockers. Johnny, Louis, Goose show up. Eugene shows Michael the lockers. Michael tries to use a locker but he’s overrun by the T-Birds. They tell him that’s t-birds turf and get lost*

W: So now only are these geeks established as idiots, they’re the heels too?

 

*Blanche plays a tune on the xylophone*

W: That still is funny.

N: That’s me.

 

*Mr. Spears is shaking*

W: Look he’s shaking.

 

*Frenchy damn near blows up the chem lab*

W: HIT THE DECK!

 

*Michael is introduced*

N: So hot.

 

*Blanche “Rydell High, beat the Cavaliers!*

N: My favorite line.

 

*The twins and Frenchy harass Michael as he tries to run during a track practice. Stephanie, Rhonda, Paulette and Sharon insult the twins. Michael says to Frenchy he likes Stephanie but she says don’t think about it because she’s a pink lady and they only date t-birds*

W: Hahahaha

 

*T-birds push Coach Calhoun into a ditch*

W: Saw that telegraphed.

 

*Leo Balmudo and the Scorpions show up on motorcycles*

W: So they lost their car so now they’re on bikes. Not only that there’s like 9 of them compared to the 4 T-birds.

 

*Johnny say they’re bowling that night and Leo laughs at him. They ride off and Johnny wants Paulette to look special*

W: Oh she will.

 

*At the bowling alley Goose runs up and bowls a strike in the wrong lane*

W: Hahahahah

 

*Johnny tells Paulette not to touch his hair*

W: I’m gonna knock him out.

 

*Paulette bends over in gold pants, wiggles her booty and bowls a strike*

N: There ya go.

W: *Speechless*

 

*Johnny starts up Score Tonight*

W: Not exactly Greased Lightning.

N: Its a good song.

W: Look at the nun.

 

*Johnny sings to Paulette, she sings back*

W: Now SHE can sing.

N: Yeah.

W: That’s Judy Garland’s daughter. Liza Minelli’s half sister.

 

*Cast cockblocks Johnny and Paulette*

W: Heh, they all cockblocked him.

 

*Fast motion spinning*

W: I’m getting a headache.

 

*Michael read instructions as he makes his way to the alley*

W: He walks in, they’re all gone.

 

*Johnny asks where his trophy is. Paulette kisses him. He then blows her off and wants Stephanie*

W: The first movie guys at least had charm and humor. These guys are unlikeable douchebags.

 

*Stephanie kisses Michael as soon as he walks in the door to shut up the t-birds. The ladies scoff at the birds. They all leave for some food and Michael and Dolores meet. Dolores gives him the rundown of the school situation*

W: What in the hell? Who’s that?

N: Paulette’s younger sister.

 

*Michael offers to walk Dolores home. Mr. Stuart is introduced the next day. McGee introduces him to Mason*

W: Teacher love interest.

 

*T-birds say they must win a talent show*

W: This movies version of National Bandstand?

 

*Mr. Stuart introduces himself to the class, the bell rings and they all leave*

W: Hahaha.

 

*Johnny swallows his cigarette as McGee gives him shit for motorcycle riding*

W: Hed burn his tongue off.

 

*Twins perform with Brad as Michael plays piano.

W: Not exactly Beauty School Dropout.

 

*Dolores bugs Michael. “This song stinks”*

W: If he said “No that’s your breath” I would have laughed hysterically.

 

*McGee stops the song and throws out the Twins. “We haven’t got all day”

W: Hahahaha.

 

*Michael asks out Stephanie but she blows him off. The ladies perform Girl For All Seasons but McGee stops them*

W: Stoned.

 

*Michael continues to ask her out but she goes into Cool Rider*

N: This used to be my song.

W: You know how I mentioned Grease had the 70’s vibe even though it was set in the 50’s, especially because of the Frankie Valli opening song? This song has 80’s written all over it.

N: I used to have a crush on this kid in 6th grade who had blonde hair and blue eyes and he had a motorcycle. I think of him when I think of this song.

W: He asked her out and she went into a 3 minute song. A simple “No” would have done just fine.

 

*Dimucci wants to bribe Michael to do his homework for him, Michael says get him a motorcycle. Later that night Michael is in his uncle’s fall out shelter and Dimucci pays him with cash. Later Michael hands an essay to Goose and he pays him too. Michael then writes one for Johnny and gets paid as well*

W: He’s ripping off the t-birds to buy a motorcycle.

 

*Mr. Stuart teaches the class about reproduction. He asks what the perfect time of month is to conceive. Mr. Jaworski has no idea when the best time is, he says to ask Johnny. Johnny says to ask Goose. Goose says to ask DiMucci, DiMucci says at night. Ms. Mason walks in*

W: This just got interesting.

 

*Goose asks if they’re going to need this for the exam*

W: You’re gonna need this for life son.

 

*Mr. Stuart goes into Reproduction*

W: Oh my god..

N: Shut up, its good.

 

*As the whole class performs, Michael just sits there*

W: Haha he’s just sitting there.

 

*Guys start creeping on girls*

W: Alright, date rape…..right.

 

*Mr. Stuart says humans are the only species that can control the numbers of their offspring*

W: BULLSHIT!

 

*Paulette hits on Mr. Stuart*

W: She needs her own solo song.

 

*Goose falls from the ceiling into his seat “Where does the pollen goooooooooo” as McGee looks on in horror*

N: Hahahaha

 

*Girl tells McGee she missed her last two periods and McGee says she can make them up after school*

W: Hahahahahaha

N: I never caught that when I was a kid.

 

*Michael works on a motorcycle alone with the echo of Cool Rider in his head*

N: Yum…he’s….mmmmmmm yes.

 

*Michael crashes his moped*

W: Of all the bikes, he picks a moped?

 

*Frenchy looks on as Michael keeps falling off the bike. Michael tells her his plan and Frenchy is shocked*

W: The things guys will do for girls.

 

*Sharon’s crew is in the talent show. 3 guys perform Mr. Sandman, Mason says these are her boys*

W: McGee’s been around greasers for too long.

 

*T-birds perform and McGee says those are her boys*

W: I called that one.

 

*Johnny says McGee’s invited over for pa-sghetti*

W: He’s supposed to be Italian and he can’t say spaghetti? Are you fucking kidding me?

N: Oh for christ sakes its just a movie.

W: Mehhhhh.

 

*T-Birds are in the show as Eugene steals the list out of their hands. T-Birds stalk the three boys singing Sandman saying they need to sing like that*

W: Ain’t happening.

 

*Dolores skateboards to the bowling alley where Leo is there making fun of her. Dolores tells the birds he’s all alone. The birds walk out to go get him*

W: Like I said, the original greasers are The Warriors compared to these guys.

 

*The entire Scorpions gang show up. Johnny, DiMucci and Goose walk out and immediately walk back in. Davey walks out by himself and is about to get killed when Michael shows up on his bike as Cool Rider and kicks Leo. The Scorpions chase him as the cast sings Who’s That Guy*

W: Wow, they even got Leo to sing.

 

*Michael thwarts the Scorpions*

W: I love how we went from cars to bikes for this movie.

 

*The cops show up and everyone scatters back inside. Stephanie stays outside and the ladies surround her. They say they need to abide by the code. Everyone but Paulette goes inside as Michael comes back to light Stephanie’s cigarette. He offers her a ride until a police cruiser shows up. He says “Some other time” and jumps the car on his way out*

W: How do they not recognize Michael?

 

*Frenchy knows that he was the cool rider. Michael asks how he can get Stephanie when the ladies walk in. Michael tries to ask out Stephanie without his cool persona and fails*

W: Dammit.

 

*Blanche runs a fire alarm with McGee as a bomb shelter test*

W and N: Hahahahhaa

 

*Louis and Sharon head to Michael’s fallout shelter. Goose gives Louis the go-ahead sign. Louis and Sharon hang out in the shelter*

W: Are you joking guy?

 

*Louis “KABLAM, NUCLEOID WAR!*

N: Yes!

 

*Louis goes into For Our Country*

W: An elaborate ruse to get into her pants.

N: He’s undressing her as she bandages him.

 

*Sharon opens the door and Goose and Johnny fall in. Next scene is Stephanie working the gas station. Michael pulls up as the Cool Rider and Stephanie rides off with him*

W: How does she not know its Michael?

N: He disguised his voice.

 

*Michael kisses Stephanie before he drops her off back at the gas station*

W: Take the helmet off.

 

*Stephanie hugs Michael close and he kisses her head*

W: Reveal yourself.

 

*Michael goes to reveal himself when the t-birds show up. Michael says he’ll see her at the talent show before he rides off. Johnny goes berserk and says she’s his girl. Paulette is pissed. Johnny says he’s gonna rearrange cool rider’s face*

W: He’s about as intimidating as a glass of water.

 

*Johnny and the others go into Prowlin’*

W: These guys suck. Like I said, the original greasers had charm, these guys are jerks.

N: Its a good song.

W: Agreed on that much.

 

*Ms Mason scolds Stephanie for her essay that Michael didn’t write. Stephanie says she needs to write it over again, Michael as himself says he’ll help her. At the malt shop Stephanie melts over Cool Rider to Michael. She’s afraid he’s an ordinary guy and Michael says “What if he is?”

W: Do it.

 

*Stephanie says he’s a really smart guy and he says she’s terrific. Stephanie “To who, to whom, to you that’s whom”

N: Ha.

 

*Johnny and Goose talk while on bikes*

W: Nice green screen, they wouldn’t be able to hear each other in that close proximity on real ones.

 

*Stephanie tells Michael about the code and he walks off. Goose and Johnny confront her about who she’s hanging with. Goose goes inside and Johnny say they’re officially over. Stephanie says sure and asks if she can go now. Johnny wants her jacket if she’s out of the Ladies. He says if she drops the jacket he won’t drop Michael. She storms off and Johnny pushes Goose against the wall*

W: Goose can pound him.

 

*Michael watches Goose and Johnny punch things*

W: He’s like “These guys are morons.”

 

*Birds cause mayhem at the cafeteria lunch line. Michael goes into Charades*

N: This song isn’t so good.

W: Can I fast forward?

N: No.

 

*Michael sings by himself as everyone else is outside. Michael draws hearts inside of hearts*

W: All this over a girl.

 

*Michael walks off angry that nobody knows the real him*

W: Shove Eugene!

N: Heh.

 

*Ladies talk about Stephanie’s crush on Cool Rider*

W: Girls talk like that?

N: Yes.

 

*At the Talent Show, Michael as Cool Rider pulls up to say hi to Stephanie but rides off when the T-Birds show up. Stephanie jumps in Sharon’s car and they drive off after the Birds*

W: She can’t drive.

 

*Michael blows by Dead Man’s Curve, everyone else pulls up. Davey thought he’d pull up. Johnny says it must be 100 feet to the other side. They figure he’s either dead or superhuman so they walk off. Paulette and the girls say he’ll be around again*

W: We got a half hour left, this can’t be the end….and why is Paulette dressed like Jessica Rabbit?

N: She’s performing in the talent show.

 

*Some guy performs*

W: He looks like Bill Nye.

 

*At the show Johnny tries to get Paulette to cover up but she punches him and says he can’t bully him*

W: Hell yeah!

 

*McGee introduces an accordion player*

W: Hahahahaha.

 

*Back in the locker room T-Birds tie up the three guys to take them out of the talent show*

W: These guys are jackassess.

 

*Accordion player puts Mr. Stuart to sleep*

W: Hahahaha.

 

*McGee introduces the “T-Bones” who perform the end of Prowlin*

W: This shit again?

 

*The Mr. Sandman crew are waiting for the Birds*

W: Hahahaha they’re gonna knock the Birds out.

 

*The Ladies perform Girl For All Seasons*

W: More Paulette please.

N: I think you’ve had enough.

 

*Stephanie stops mid-song to lament Cool Rider. She goes into We’ll Be Together in a dream sequence with Michael/Rider*

W: Why’d she stop?

N: She thinks he’s dead.

 

*McGee announces the winners are Stephanie and Johnny*

W: How did they win? They performed separate songs.

 

*Next scene is the school performing Luau*

W: Should have seen my high school luaus. We made the local news.

 

*Couch Calhoun rides a buggy with Blanche and McGee*

W: Hahahaha

 

*McGee voiceover says the year is coming to an end. She wants Johnny and Stephanie to share a dance as King and Queen*

W: That luau song seemed kind of forced. Not to mention it felt like an end song like it should have been the end of the movie.

N: You’re annoying.

 

*Mr Spears walks into the water*

W: Oh good heavens.

 

*The Scorpions crash the party. The T-birds throw pies at them*

W: See? These guys suck.

 

*Cool Rider shows up and jumps into the center. Leo and Johnny both want a piece of him*

W: Love how the Birds and Scorpions both want the Rider dead.

 

*Rider jumps the pool and the Scorpions fall in. Leo pulls the Twins in with him. Michael finally reveals himself to be the Cool Rider*

W: About time.

 

*Johnny confronts Michael and goes to slug him but then hands him a T-Bird jacket. Dolores says she can’t see Michael anymore because she’s got another man now. Michael whispers in her ear and she walks away. Michael kisses Stephanie*

W: About damn time. I know what its like to chase the girl your entire senior year and finally kiss her.

N: Well it ain’t me.

 

*T-Birds and Pink Ladies go into We’ll Be Together*

W: Its like You’re The One I Want and the end song from Grease rolled into one

 

*Song ends with everyone graduating*

W: At least they show them graduating this time.

 

*End credits to Back To School Again*

W: Eh, its finally over.

 

Neyzor Blades Assessment: I give it a 10 out of 10, one of my favorites of all time. I wouldn’t say its better than the first but its a classic.

The Warlock: I give it a 5.5 out of 10. There was so many….many things that were inferior to the first Grease. I understand there’s no chance they could have topped the first one but they tried to and it just didn’t work. It’s still watchable but holy mother of ass is it annoying compared to the first.

Final Grade: 7 out of 10 – Great

 

*Warlock rises from the couch*

W: Good grief why? Why did they try to make a sequel out of Grease? The first one was one of those right place, right time movies and it was based on an actual play. This one seemed forced and it didn’t have the charm the original did. As a standalone musical it was okay but it had impossible shoes to fill. I’m still not over how the T-Birds in this movie look like geeks and why didn’t Lorna Luft get more singing time? Still, for all my squawking I’d still recommend it. The songs weren’t that bad and it did have an 80’s vibe to it. That about wraps up another edition of Warlock’s Movie Realm. Now get outta here before I give ya a slap!